R193

note: MaceyB, 54, 58, 116 n.54; WilsonSC, 91. Text & music of cc. ed. Mancuso, 721-30. Cc = ‘Et ha modo proprio molto bello facto da Ser Firenze prete’ (Rs424; similar in Gall2). Cc. attr. to Jacopone da Todi in some sources; see D’AnconaPP, 479. In LA424, rubric indicates the lauda sent to ‘Maestro Giovanni Carlli [Caroli], frate in Sancta Maria Novella (on Caroli & music, see WilsonHM, 286-8, & MaceyB, 20, 92). ‘Con somma’ re. St. John the Baptist.

note: cc. also ‘Laudate’ as cc. for ‘Cristo ver’, w/music in Rz1563, ed. Mancuso, 416-20. The secular text, ‘Perchè son io si bella’, that serves as a cc. for ‘Laudate il sommo Dio’, may be the original text for the music preserved in Razzi.

note: see ‘I’ son l’angel’ as a lauda, also.

note: music and text of lauda ed. in Mancuso, 743-8. The setting in Rz1563 may preserve something of the original music belonging to the cc. text.

note: lauda re. Mary Magdalen. In LA424, sent to ‘Don Ghido [Guido] monaco in cestello [San Frediano in Cestello?].

note: FallowsCat, 507. LA424 indicates the lauda was sent to Ser Firenze prete, a Florentine singer and composers who was perhaps responsible for the musical setting of the cc. in Pix. Text incomplete in Pix, which appears to provide the refrain and first piede of a ballata.

note: FallowsCat, 68-9; CattinCI, 420-1. Text ed./trans. in PerkinsM, ii, 193-8; music ed. PerkinsM, i, 43 (Pix facs. on p. 11). Alternate version of chanson (with added low CT) transmitted in Tr91 & Tr1947. Same lauda text with later setting in Grey (ed. CattinG, no.34) & Panc27, both bearing title ‘Vive lieto’ (ed. in PrizerF, 34-7). Incipit in Pal117 = ‘Achollie malabelle’.

note: in LA424, ‘della sanctissima croce’; sent to Maestro Bernardino frate in Sancta Croce.