BR230

note: CattinCC, 204; cc. in M365 for this lauda = ‘Se tuo servo Amor me fe’, w/music in BR230 & BR337. Music ed. w/both texts in CattinCC, 224-6.

note: CattinCC, 204, where he edits both texts, and speculates that the close poetic compatibility & matching rhyme scheme of lauda and cc. suggest that the music of ‘Se tuo servo’ may be the modo proprio setting of ‘S’io mori’ called for in R196. Music ed. w/both texts in CattinCC, 224-6.

note: Rz1563 transmits the music of ‘Donne per electione’ but the widely-diffused Belcari lauda text ‘S’ i’ pensassi a’ piacer del paradiso’, which suggests that the lauda text in M365 was modeled upon Belcari’s.

note: CattinR, 22. Alternate cc. = Belcari’s ‘S’i’ pensassi’, transmitted in Rz1563 anonymously with Bartolomeo’s music from ‘Donne per electione’.

note: CattinCC, 202-3, & CattinR, 17; incipit in R196 is ‘Contempla in quanta altezza se’ salita’, a carnival song by Jacopo Nardi. This is the ‘Canzona del trionfo di Camillo’, or ‘Trionfo della fama e della gloria’ (ed. SingletonCC, 251-2), and is linked to Giovanni di Medici (Pope Leo X) for feast of San Giovanni in 1514. However, the poetic forms of cc. and lauda are incompatible, and CattinCC, 203 notes identity of rhyme scheme and form between ‘Vergine gloriosa’ and another Carnival song, the anonymous Trionfo delle tre Parche (‘La gran memoria dell’età passata’, which is the ‘secondo coro’ of this Trionfo); text ed. SingletonCC, 199-200, with music in BR230, 90v.

note: Gall4 cc = ‘e Valenziani’, almost certainly the carnival song, ‘Canzona de’ Valenziana’ or ‘de’ Profumi’. Music transmitted in BR230, & Rz1563 w/ text of ‘O maligno e duro core’.

note: text of ‘O Maria’ differs from another attr. to Giustiniani, ‘O Maria Magdalena/o peccatrice a Dio’

note: CattinCC, 198. The forms of cc. and lauda are not particularly compatible.