BR230

note: CattinR, 21 (with excerpts of both texts edited); Fenlon/HaarIM, 158. Music & text ed. D’AcconeMFR, ii, 17-19. Cc. in R196 is ‘Signora mia’.

note: MaceyFS, 357. 4-voice setting of cc. text in BR230, fols. 72v-73r: ‘Non me parto per lassarte’.

note: Razzi transmits a 3vv setting of his text (ed. Mancuso, no. 37), suitable for singing ‘Caritate amore Dei’ (see MaceyB, 56), but a different 4-part setting of ‘Caritate’ is transmitted in the extant Florentine carnival song sources (ed. GallucciFFM, no.41; cc. text ed. SingletonCC, 280-81), and Razzi adapts this music in a 2-part arrangement for a different lauda linked to ‘Caritate’, ‘Povertà, fatiche, stenti santo’. The music for ‘Spirti sian’ in Rz1563 looks very much like a carnival song setting, but either this is a sacred carnival song or the original secular text has not yet been identified. MaceyB, 56 proposes that there were two distinct musical settings for ‘Caritate amore Dei’. Oddly enough, Razzi transmits yet a different melody for the text of ‘Spriti sian’ in Pal173, fol. 97r.

note: lauda re. San Domenico

note: MaceyB, 41f . Rz1563 ed. w/’O maligno’ text on MaceyB, 42-3, and in MaceyS, 6-8; music & text also ed. in Mancuso, 470-7. Cf. ‘Siam galanti di Valenza’ (Canzona de’ Profumi) as cc. for ‘O maligno’; the cantus & carnival song text are transmitted in BR230. On Lorenzo’s lauda, see ‘O maligno’ as a lauda, with cc. = ‘Siam galanti di Valenza’.

note: cc. = carnival song, Canto di lanzi pellegrini. Music ed. GallucciFFM, no.41, text in SingletonCC, 280-1. See BlackburnTCS, 133, where she notes that the reference in the carnival song text to Rome & the Jubilee suggests it was composed ca. 1500. In Rz1563 (ed. Mancuso, no. 38), only the superius agrees with the secular song preserved in the other sources, while the tenor appears to have been newly composed. M365 reads ‘estento’ for ‘stenti’. Rz1563 also transmits a different 3-part setting for the previous text in the print, ‘Spirit sian sempre gaudenti’, for which M365 also gives ‘Caritate amore Dei’ as a cc. The musico-poetic traditions are intertwined, however, for the rhyme schemes of the refrains of both laude (‘Povertà’ and ‘Spirti sian’) are identical.

note: Carnival song (mascherata), ‘Canto di pastori, bacchiatori di bassette’. Music ed. D’AcconeMFR, ii, 23-5; & GallucciFFM, no.27. Text ed. SingletonCC,318-19. Music also transmitted in Rz1563, with Belcari’s lauda text, ‘S’i’ pensassi a’ piacer del paradiso’; ed. Mancuso, 427-35.

note: lauda re. St. Peter Martyr.