Sq

note: See CattinSq, 251; WilsonSC, 75; Diederichs, 72. Music ed. in PMFC4, no.47; music & both texts ed. Diederichs, 294-5. The lauda text has some irregular line lengths and is probably corrupt as transmitted in Ch266.

Note: CattinSQ, 249; WilsonSC, 74; Diederichs, 70. Music ed. in PMFC4, 82.

note: See CattinSq, 251; WilsonSC, 76; Diederichs, 69. Music ed. in PMFC8, 127; Diederichs, 286. Text also in R1666, but without cc.

note: See CattinSq, 248; WilsonSC, 73; Diederichs, 70. Music ed. in PMFC4, 80; music & both texts ed. Diederichs, 288-90. Cf. D’AnconaPP, 480, where incipit is given as ‘Di sospirar’; cc. text published in CarducciCBSM, 132 as ‘Di sospirar sovente/constretto son...’, where it is a male voice in a dialogue between a lady and her lover.

note: D’AnconaPP, 479; CattinSq, 249; Diederichs, 74; WilsonSC, 74. Music ed. in PMFC10, no.5. LuisiLG, i ,204, 232 erroneously lists ‘A tte ritorna’ as lauda for ‘Cosa crudel’.

note: see CattinSq, 249; WilsonSC, 74; Diederichs, 53-4, 73. Music ed. in PMFC4, no.57 (where the incipit is ‘Ara’ tu pietà mai di me, o giovinetta’). The intended cc. for ‘Mercè’ may in fact be a different secular ballata with a similar title, ‘Arai tu mai pietà donna crudel’; see this title as a cc. for the lauda ‘Volgi li occhi tuoi in qua’.

Note: = CattinSq, 250; WilsonSC, 74; Diederichs, 61. Rubric in R2224, ‘Cantasi come quella che dice Ogni huom faccia per se /chi non piu d’altrui c’altri di me’, which alludes more clearly to Soldanieri’s text than the rubric in Ch266: ‘va chome quella chanzona chew dice: Ongni uom faccia per sé, ch’i’ fo per me’, which also includes the alternate incipit ‘Ognium faccia per sé’.