BR337

note: CattinR, 20 (where excerpts of both texts are edited). Music ed. D’AcconeMFR, ii, no.25 (text ed. xxi). Cc. in R196 reads ‘Grato signore’.

note: cc = carnival song, the ‘Canzona de’ giostranti’, or ‘Canto d’uomini vecchi allegri e goditori’. CattinR, 19 (where excerpts of both texts are edited); GhisiCC, 191. R196 lists ‘Far buon tempo’ as cc. but this turns out to be the 7th line of the 3rd strophe of the ‘Canzona de’ giostranti’, ‘Poichè visto’l tempo’. Music ed. GallucciFFM, no.38; text ed. SingletonCC, 151-2.

note: CattinR, 16; MaceyB, 113 & MaceyS, 228. Music ed. D’AcconeMFR, ii, no. 40; text ed. xxii-xxiii; Mancuso, 330-40 ( ‘Signore, soccorr’ aita’).

note: Carnival song (mascherata). CattinR, 15; CattinNR, 257. R196 gives ‘verso de’ calicioni’ as cc., but Cattin argues convincingly that this must be the Carnival song, the ‘Canzona de’ Giudei’, which matches the poetic and rhyme scheme of the lauda, and mentions ‘calicioni’ in the first strophe. Music ed. D’AcconeMFR, ii, no. 7, and GallucciFFM, no. 24; text ed. SingletonCC, 293-4. Lauda incipit very similar to ‘Vergine santa immaculata e pia’ w/cc ‘Madre che festi’ (R1502). Alternate cc. incipit = ‘La ciptà bella’.

note: cc = carnival song, the ‘Canzona de’ Giudei battezzati’. CattinR, 14; CattinNR, 259. Music of cc. ed. D’AcconeMFR, ii, no.26; text ed. SingletonCC, 294. Cattin proposes G.B. Ottonaio as author of both texts; he was the last herald of the Signoria, and son of Cristofano Ottonaio.

note: Carboni-ZiinoLM, 282.

note: Carboni-ZiinoLM, 282. See B. Landini’s ‘Oimè, oimè quanto misero se’ as alternate cc. and s.v. modo proprio. In Ferr84 ‘Tambur, tambur’ cc. indication cancelled, but the a2 music in Rz1563 for Landini’s text (ed. Mancuso, 549-52) is, in fact, the music for the soprano and tenor parts of ‘Tambur, tambur’ as preserved in M121 (the a4 version in CortP differs in texture, though is based on the same borrowed popular melody); see BlackburnTCS, 134-8 (M121 version ed. 154--5; CortP ed. 156-7).

note: CattinCC, 204; cc. in M365 for this lauda = ‘Se tuo servo Amor me fe’, w/music in BR230 & BR337. Music ed. w/both texts in CattinCC, 224-6.

note: CattinCC, 204, where he edits both texts, and speculates that the close poetic compatibility & matching rhyme scheme of lauda and cc. suggest that the music of ‘Se tuo servo’ may be the modo proprio setting of ‘S’io mori’ called for in R196. Music ed. w/both texts in CattinCC, 224-6.

note: Rz1563 transmits the music of ‘Donne per electione’ but the widely-diffused Belcari lauda text ‘S’ i’ pensassi a’ piacer del paradiso’, which suggests that the lauda text in M365 was modeled upon Belcari’s.