BR337

Donne per electione-c BaG (XyyX AbAbbccX)

Poet: 

Jacopo da Bientina

Language: 

it-carn

Composer: 

Bartolomeo
degli Organi

Lauda: 

Madre del redemptor vergine pura soccorri-a BaG (XyyX AbAbbccX)

Lauda Poet: 

Clemente Pandolfini

Notes: 

note: CattinR, 22. Alternate cc. = Belcari’s ‘S’i’ pensassi’, transmitted in Rz1563 anonymously with Bartolomeo’s music from ‘Donne per electione’.

Cantasi Come Sources: 

S’ i’ pensassi a’ piacer del paradiso-f BaMz (XyX AbAbBcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Madre del redemptor vergine pura soccorri-c BaG (XyyX AbAbbccX)

Lauda Poet: 

Clemente Pandolfini

Notes: 

note: alternate cc. in R196 = ‘Donne per elezione’ (Canzona de’ pastori), music by Baccio degli Organi in BR230, BR337, M117. Music transmitted in both Ferr84 and Rz1563 is Baccio’s carnival song, ‘Donne per electione’, which also serves as a cc. for this same lauda. This suggests that Baccio’s music became strongly associated with Belcari’s very popular lauda

Cantasi Come Sources: 

Questo mostrarsi adirato di fore BaMz3/5 (XyX AbAbX)

Poet: 

Angelo
Poliziano

Language: 

it

Composer: 

H. Isaac/
Pintello/ Bartolomeo degli Organi

Lauda: 

Ben ch’adirato si mostri’l Signore BaMz3/5 (XyX AbAbX)

Lauda Poet: 

Ser Firenze

Notes: 

note: CattinRP, 387 (‘canzone a ballo’); WilsonSC, 91; RubsamenLS, 22; HaarCM, 60, 74; EinsteinIM, 32. BR230 transmits versions by Isaac (a3), Pintello (a3), & Bartolomeo Organista (a4; also in BR337 & Bas2440). Music of Bartolomeo version ed. D’AcconeMFR, ii, 31 (text ed. p. xix); Pintello version ed. D’AcconeSN, music ex. no. 3; Isaac version ed. in EinsteinIM, iii, 2-3 (Poliziano text ed. p. xi). Lorenzo Strozzi’s closely related ballata text, ‘Questo mostrarsi lieta a tutte l’hore’, is preserved in settings by Pisano (EinsteinIM, iii, 3), Layolle (ed. D’AcconeMFR, iii, 66) and Bartolomeo, as well as an anonymous 3-part setting (latter two ed. D’AcconeMFR, ii, 34 & 47).

Music Sources: 
Cantasi Come Sources: 

In te domine speravi Ba5/6:8 (xyyxx ababbx)

Language: 

it-frot

Composer: 

Josquin des Prez

Lauda: 

A te, virgo, ogn’or clamavi-b
BaG4/6:8 (xyyx ababbx)

Lauda Poet: 

Bernardo Giambullari

Notes: 

note: BridgmanM, 200-1; CattinCI, 434 (‘una frottola musicata da Josquin’); JeppesenF/i, 80-81 (a list of all sources). Music ed. CesariLF, 38; text ed. 19*.

Cantasi Come Sources: 

S’ i’ pensassi a’ piacer del paradiso-d BaMz (XyX AbAbBcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Gloria die oggi tutto’l paradiso
BaMz (XyX AbAbabc)

Music Sources: 
Cantasi Come Sources: 

S’ i’ pensassi a’ piacer del paradiso-g BaMz (XyX AbAbBcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

S’ i’ pensass’ o Maria’l grand’ amore BaMz (XyX AbAbBcX)

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Amor che’n terra il tuo amor-b
BaG (XYyX ABABbCcX)

Lauda Poet: 

Angelo Bettini

Notes: 

note: Music & text of Bettini’s lauda in Rz1563 ed. Mancuso, 478-86, but this is the music of the carnival song, ‘Amor che’n terra ogni timore’, the ‘Canzona di fanciulle in casa’, ed. GallucciFFM, 49-51. Alternate text in Rz1563 = ‘Vergin ch’el verdo eterno’ (Razzi). In M365, cc. for ‘Amor che in terra’ = ‘Le fanciulle’, or the ‘Canzona di fanciulle in casa’.

Music Sources: 
Cantasi Come Sources: 

S’ i’ pensassi a’ piacer del paradiso-h BaMz (XyX AbAbBcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

S’ i’ pensassi all’etern’e dura sorte BaMz (XyX AbAbBcX)

Lauda Poet: 

Niccolò Fabbroni

Music Sources: 
Cantasi Come Sources: 

Tanto è la donna mia 6:7/11 (ababcC)

Language: 

it-mad

Composer: 

Alessandro Coppini

Lauda: 

Jesù dolce messia, sopr’ogni cosa
CapQ (AAbA BBcB)

Notes: 

note: Fenlon/HaarIM, 158 (concordant sources); JeppesenF, ii, 114, 131, 136. Music ed. D’AcconeMFR, ii,16-17. Lauda re. nativity.

Music Sources: 
Cantasi Come Sources: 

Teco signora mia BaG:7/5 (XYYx ABABBCCx)

Language: 

it

Composer: 

Alessandro Coppini

Lauda: 

Teco vergine pia sempre fu
BaG:7/5 (XYYx ABABBCCx)

Notes: 

note: CattinR, 21 (with excerpts of both texts edited); Fenlon/HaarIM, 158. Music & text ed. D’AcconeMFR, ii, 17-19. Cc. in R196 is ‘Signora mia’.

Music Sources: 
Cantasi Come Sources: 

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