Pal173

note: On cc., see MaceyB, 55, 85, 146. cc. for ‘Chi non ama’ = carnival song, ‘Giovani mandati siano’ (Canto dell’imperatore’ or ‘Canzona de’ tedeschi’). Music ed. in MaceyS, 46-50 (Rz1563), along with 2 other proposed lauda texts (‘Oggi torna alla memoria’, ‘Io vo darti anima mia’). Music ed. Mancuso, 346-50. MaceyS, 225-6 dates Benivieni’s lauda to mid-1490s.

note: lauda ‘della Assunta della Vergine’

note: CattinR, 17-18. RC395 music underlaid with ‘Ecco’l signore’, and text also transmitted in Rz1563, 17v.

note: MaceyB, 125-9. The cc. for ‘Ecco il Messia’ is ‘Ben venga Maggio’ (see above). Ed. w/Lucrezia’s text in MaceyS, 62.

note: RositrollaB, 709. Text & music of cc. ed. Mancuso, 447-50, but ultimately derived from Carnival song ‘Vicin, vicin, vicin’ (see this title as a cc.), which is ed. in MaceyS, 12-14 with both Belcari & carnival song texts (Panc27). RC395 indicates ‘Ecco’l signore’ also has modo proprio (presumably independent of music for ‘Jesù, Jesù, Jesù’/’Vicin, vicin, vicin’); see ‘Ecco’l signore’ with ‘Ben venga Maggio’ as original text & music; text transmitted as cc. in Razzi, with music bearing text ‘Ecco’l Messia’. ‘Ecco’l signore’ appears several times in RC395, with music for C & T parts on fols. 3v-4r, and as text: once with 2nd line continuing ‘e la madre’ (instead of ‘...ognun/ciascun gli doni’), perhaps the result of scribal confusion with the related text ‘Ecco’l Messia, ecco’l Messia, e la madre sua Maria’.

note: alternate cc. in RC395 = Ben venga Maggio

note: alternate cc. = ‘Ecco’l signor’