LA424

note: lauda re. S. Geronimo [Girolamo]. Rz1563 transmits 2 musical settings, both underlaid with text of ‘Ecco’l Messia’; ed. Mancuso, nos. 9-10. ‘Con umil core’ attr. to d’Albizo in Gall2, Belcari in R196, but probably d’Albizo’s by virtue of its inclusion in LA424. In LA424, lauda sent to ‘Fra Girolamo jhesuato’. Though the the lauda is attributed in some sources to Belcari, it appears in an authoritative d’Albizo source (LA424) and is not included in Belcari’s laudario (M690).

note: in LA424, lauda sent to ‘monache di Sancta Chiara’.

note:d’Albizo’s lauda- ‘Lauda della epiphania de’ magi’; in LA424, lauda sent to ‘Lorenzo prete di Santo Tommaso’ (crossed out; added in same hand: ‘al Magnificho Lorenzo de’ Medici’). Magi festivals in Florence were closely associated with the Medici since the time of Cosimo.

note: in LA424, this ‘lauda della quaresima’ sent to the Compagnia di San Marco (Purification?).

note: in LA424, sent to Sancti calzaiuolo.

note: alternate cc. = a ballo; laude re. St. Bernard. In LA424, lauda sent to Don Guido, monaco in cestello [San Frediano in Cestello]’; variant: ‘Infiammate il nostro core’.

note: alternate cc. for ‘Chi si vuol’ = ‘I’ son l’angiol buon di Dio’ & ballo. Lauda re. St. Paul. In LA424, lauda sent to ‘Francesco miniatore’ (also recipient of ‘Non fu mai pena maggiore’).

note: lauda re. St. Anthony of Padua. In LA424, sent to ‘Pagolo [di Jacopo] vaiaio. Cc. for ‘O dolce Iddio’ is ‘Ben lo sa Dio’, with musical settings in Grey, Panc27, Q18, et al.

note: in Gall2/R196 = ‘O regina del mio core’ as cc. for ‘O speranza’ & ‘O Colomba’. LA424: ‘mandata alle murate’; the Murate was a wealthy Benedictine convent in Florence criticized by Savonarola for their cultivation of figural singing; see MaceyB, 95-6.

note: in LA424, lauda sent to ‘reverendissimo relatore del divino verbo Maestro Simone Berti, frate dell’ordine de’ frati predichatori’.