Rz1563

note: RostirollaLC, 711-12, 844 (‘S’ i’ pensassi’); 710-11, 847 (‘Vergine degna’).

note: RostirollaLC, 713, 835 (‘Leviam’). Music ed. with both texts in LuisiLG, ii, 161 (Crema1605), 163 (1675/4).

note: RostirollaLC, 742-3, 749. In the non-Florentine sources, Razzi’s lauda and its cc. texts are found in both 3- line (7/11, abC cdE) and 4-line (7/5, ABBc CDDe) stanza schemes; see RostirollaLC, 829. Music ed. with both texts in LuisiLG, ii, 162 (Nap1608).

note: See MaceyB, 47-8, MaceyS, 222 & MaceyNC, 156-8 on proposed link to Lorenzo’s carnival song. Music & both texts ed. MaceyS, 15-19; lauda text and music ed. Mancuso, no. 12. Lauda text also in M365, but without cc. link.

note: lauda re. Savonarola and his 2 companions. See MaceyS, 221, where he proposes the cc. link based on similarity of 1st-line syntax and form.

note: for bibliographic information on ‘O dolce’, see ‘Che credi fare amore’ (Ch266) as an alternate cc.

note: carnival song, ‘Canzona degli uomini salvatichi’; text ed. SingletonCC, 87-8 & BruscagliTCC, ii, 411. Both titles possibly related to ‘Viva viva li galanti’ (a fragmentary text, but with complete music a4 in Per431). A more likely source of music is Razzi1563, where the compatible lauda text is ‘Viva, viva in oratione’. On the interrelated complex of ‘Viva viva’ songs related to the Savonarolan carnival of 1496, see MaceyB, 61-73 (Giambullari’s ‘Vivi vivi in contrizione’ is not mentioned here, but it surely belongs to this complex of songs). Text and music of carnival song, and related Savonarolan lauda texts ed. in MaceyS, 23-31.

note: RostirollaB, 751-2; MaceyB, 57-8, where he notes that Razzi adapted the music for this lauda from an anon. villotta, ‘Gentil signor’ affe ch’io mi moro’ (Venice, 1560); music ed. Mancuso, 585-6. Different musical setting of Razzi text (with textual variants) in Anim1577; ed. RostirollaTL, 47 (facs. p.24); Anim1577 & 1589/2 versions nearly identical, but bear only vague similarities to the setting in Rz1563.