Rz1563

L’amor a me venendo-a BaG:7 (xyyx ababbccx)

Poet: 

Bianco da Siena?

Language: 

it

Lauda: 

D’amor tutto m’acciendo
BaG:7

Notes: 

note: variant incipits: ’L’amor ad me/a mi’. Concerning the cc., see GhisiUL, WilsonMM, 170-71, Diederichs, 212ff. Music ed. LuisiLG, ii, 54-7 (all extant settings); Diederichs, 393-5 (Ven,Pav361,PetL/i); WilsonMM,269-70 (Ven,Pav361,Rz1563); CattinPav, 10 (Pav361) and Mancuso, no. 24 (Rz1563). Text of ‘L’amor’ ed. LuisiLG, i, 291. See also ‘L’amor’ as lauda w/cc. = ‘Donna sti’ mie’ lamenti, identified in Gall3 as a ‘vinitiana’; this suggests that the modo proprio music associated with ‘L’amor’ may have something to do with the ‘aere vinitiano’. Cc. text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 

Verbum caro factum est-c 2/4:7 (xy aaay bbby...)

Language: 

lat

Lauda: 

Facciam festa e giulleria-e
BaMn:8 (xx aaax bbbx...)

Lauda Poet: 

Feo Belcari

Notes: 

note: alternate cc. for ‘Facciam festa’ = ‘Senno mi pare’. Laude & cc. both re. Nativity. See also cantus melody for ‘Facciam’ in Ferr84, ed. in Carboni-ZiinoLM, 318. CattinCI, 434 mentions a lost Gaffurius setting of ‘Facciam festa’.

Piango il tempo perduto-b BaG (xyyX aBaBbccX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Levati su omai, anima-b
BaG (xyyX ABABbccX)

Lauda Poet: 

Gherardo d’Astore

Notes: 

note: ritornello only; stanze come ‘Tanta pietà mi tira’ (Gall2) or ‘muta come rispecti’ (Rs424). Incipits differ after ‘omai’: anima, e non dormire’/’alma et più non dormire’.

Music Sources: 

O Jesù dolce, o infinito amore-o BaG (XyyX AbAbBccX)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

O Maria santa o lucente splendore BaG (XyyX AbAbBccX)

Lauda Poet: 

Castellano Castellani

Notes: 

note: CattinCC,211.

Cantasi Come Sources: 

O Jesù dolce, o infinito amore-b BaG (XyyX AbAbBccX)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Beato è quello ch’ha il mondo
BaG (XyyX AbAbBccX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424, sent to ‘frate Francesco Dieciauiti [sic] facto frate di San Miniato’ (lauda ‘di fuggire il mondo et ire alla religione’).

Cantasi Come Sources: 

Molto m’annoia dello mio messer

Language: 

it

Lauda: 

Jesù sommo diletto et verolume-b
BaMz (XyY AbAbCcY)

Lauda Poet: 

Feo Belcari

Notes: 

note: alternate cc. = ‘Leggiadra damigella’. Music ed. in MaceyS, 68-9; Mancuso, no. 79. See ‘Jesù sommo’ as cc. for ‘Jesù dolce’.

Music Sources: 

Leggiadra damigella, o segnor mio-g BaMz (XyX AbAbBcX)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Jesù sommo diletto et vero lume-a
BaMz (XyY AbAbCcY)

Lauda Poet: 

Feo Belcari

Notes: 

note: alternate cc. for ‘Jesu sommo diletto’ = ‘Molto m’annoia dello mio messere’. Lauda setting ed. in MaceyS, 68-9; Mancuso, 688-93. See ‘Jesù sommo’ as cc. for ‘Jesù dolce’.

Music Sources: 

I’ vedo ben che’l buon servire è vano-b CapT:11 (aba bcb...)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Ave del verbo eterno genitrice-a
CapT:11 (aba bcb...)

Lauda Poet: 

Feo Belcari

Notes: 

note: Giustinian’s lauda is a cc. for the paired Ave Maria (‘Ave del verbo’) & Salve Regina in M690, and may be the same as ‘Ave del cielo eterna genitrice’. Razzi transmits music with text ‘Lodate fanciulletii’in suon’e canto’, followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’), all in form CapT:11. See Belcari’s lauda ‘Salve regina’, with musical settings in Grey, Rz1563, & PetL/i, for possible musical settings of ‘Ave del verbo’.

Music Sources: 

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