Rz1563

note: see ‘Cristo ver’ as cc. in later sources. On ‘Cristo ver’, see CummingsP, 143-7 (texts of both ‘Cristo ver’, and its cc. ‘Laudate il sommo dio’ ed. 145, music on 146-7); RostirollaLC, 699-700, 758. Music w/Belcari’s text ed. Mancuso, 416-20. See also ‘Da poi’ as lauda in Gall4 (‘lasciai’) with cc. = ‘Laudate il sommo dio’. Text of cc. transmitted in Ch266 with attribution to Giovanni da Terra Nuova, but without cc.; full title of incipit there is ‘Dappoi ch’io ti lasciai Christo Jesù di quor non mallegrai’. The cc. text is found in earlier sources, like the (probably) pre-15thc. laudario BML, Ashburnham 423. 4-part, frottola-like setting in PetL/i ed. in LiuzziLG, ii, 328-9; this is musically unrelated to the 3-part setting in Rz1564 of ‘Laudate il sommo Dio’.

note: alternate cc. = ‘O donna del mio core’

note: cc. cancelled in Ferr84, probably because modo proprio music for ‘O Maria Diana stella’ transmitted in Ferr84 (as well as for ‘Benedetta’!). Music of ‘O Maria’ à4 in Razzi + different 2-part setting in BerAT30 (ed. Jaenecke)--both versions ed. in LuisiLG, ii, 94-5, with text ed. i, 259. Rz1563 version ed. in MaceyS, 40 & Mancuso, 395-7. Varied cantus of ‘O Maria’ in Ferr84, ed. in Carboni-ZiinoLM, 327 (ed. cantus of ‘Benedetta’ on 319). Alternate cc. = ‘Uscirò di tanti affanni’ (R196, w/music in M121, PetF/viii). In Ferr84,‘Benedetto sia quell’ora’ is cc. for Lorenzo’s ‘O maligno e duro core’ (cf. ‘Siam galanti di Valenza’) & ‘Cominciamo Cristo a laudare’; ‘Occhi miei di lagrimare’ (w/music in Ferr84 & BL.Eg3051) is cc. for ‘Benedetto sia quell’ora’. Text of ‘O Maria’ in Gall3 and related sources without cc.

note: see ‘Vergine bella’ as a lauda with a modo proprio setting for bibliography.

note: cc. = carnival song, ‘Temporal fuor di natura’ (Canzona degli uomini d’arme), ed. SingletonCC, 21-2; BruscagliTCC, 1, 238. See also CattinCC, 196-7. Alternate cc. = ‘Peccatori Maria noi siamo’, w/music in Rz1563, (ed. Mancuso, no. 48) an indication that Razzi’s lauda may preserve the music not for the carnival song ‘Pescatori a lenza siamo’ (BaG), as suggested by MaceyB, 57, but for the carnival song ‘Temporal fuor di natura’. Cc. incipit in Rs424 reads, ‘Temporali fuor di misura’.

note: the original model for both poems may have been ‘Guardami, donna, un poco’, a cc. for 3 different laude in Ch266.

note: FallowsCat, 560. BR62 & Rz1563 versions closely related but not identical (w/text ‘Se tu donassi’ in Rz). Rz1563 text & music ed. Mancuso, 739-42.

note: see ‘Levati’ as cc. source. Alternate cc. for ‘Levati’ = ‘el ritornello come Piango il tempo, come le stanze di Tanta pietà mi tira’ (Gall2); ‘Sghuardami anima’ (Ch266)

note: ‘Laudate’ in Pal117 & Gall2 without cc., but probably a modo proprio, since it serves as a cc. for other laude in both sources. On this lauda, see CummingsP, 143-7 (texts of Belcari’s ‘Cristo ver’ and its cc. ‘Laudate il sommo Dio’ ed. 145, music on 146-7 w/ text of ‘Laudate’). The text and music of ‘Laudate’ are called for in Belcari’s sacra rappresentazione, the Festa di San Felice; according to BecheriniSR, 201, the lauda was also sung in the Rappresentazione dell’Annunciazione attributed to Belcari. Music w/Belcari’s text ed. Mancuso, 416-20. The secular text, ‘Perchè son io si bella’, that serves as a cc. for ‘Laudate il sommo Dio’, may be the original text for the music preserved in Razzi.