Rz1563

note: Savonarola’a lauda modeled on d’Astore’s ‘Alma che sì gentile/ti fe’, a ballata grande w/rhyme scheme identical to ‘Deh dolce redentore’ with music in Rz1563; see reconstruction/ed. in MaceyS, 71-9; text ed. & translated on xlix-l. D’Astore’s lauda had modo proprio and cc. = ‘O benigno Signore’. ‘O benigno’ & ‘O dolce redentore’ [Deh dolce’] are also cc. sources for ‘Signore soccorri aita’ (BNF J.VIII.5)

note: See MaceyB, 99-105; RostirollaB, 710. Settings by Scotus (PetL/ii), in Anim1563, Rz1563, & Verovio (Rome,1586; w/lute & keybd. intab.), all ed. in MaceyS, 53-60, with text ed. & translated on xlii-xliii. Razzi cantus transcr. in Carboni-ZiinoLM, 322 (Ferr84 transmits music with text ‘Ogn’un lodi Maria’). Incipit in printed cc. sources is ‘O Jesu...’, and with textual variants in the first stanza. See also ‘Jesù sommo conforto’ as a cc.

note: in LA424, sent to Sancti calzaiuolo.

note: see CattinR, 36. Cc. = popular ternario (terza rima), formed around an acrostic of ‘Ave Maria’. Cc. text entered in R2929, which was copied by 1448; ed. LuisiLG, i, 381-2. See ‘Ave tempio’ as a cc. for Belcari’s ‘Salve regina di misericordia’ for musical settings that can be linked to the former.

note: see CattinCC, 42. Alternate cc. = ‘Già fui contento d’ogni mio desio’ (R196). See ‘In nulla’ as cc.

note: CattinR,33.

note: full attr. for lauda: ser Antonio di Mariano Muzi, notaio (Gall2)