Rz1563

note: lauda re. St. Catherine, martyr

note: D’AnconaPP, 480; text & music of cc. ed. in E. Levi, Lirica italiana antica, Firenze, Olschki 1905, 67. Cantus from Ferr84 & Rz1563 ed. Carboni-ZiinoLM, 325-6; Rz1563 setting ed. Mancuso, 311-19. ‘Dimmi’ in Gall2 w/out cc. Lauda re. beata Agnesa da Montepulciano.

note: Music of cc. ed. D’AcconeMFR, ii, 118-20; text ed. xxii; music & text of cc. ed. Mancuso, 330-40. Lauda re. S. Luke. See MaceyB, 113 & MaceyS, 228, where he notes that in BNF, J.VIII.5 (Razzi’s late 16thc. biography of Savonarola), ‘O benigno Signore’ and ‘O [Deh] dolce redentore’ are cc. sources for ‘Signore, soccorr’ et aita’. In the cc. text, a 7-syllable first line is achieved by the elisions used in Rz1563: ‘Signor soccorr’aita’.
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note: rubric in Rz1563 reads: ‘lauda per svegliare le suore al mattutino la notte della purificatione’

note: MaceyB, 125-9. The cc. for ‘Ecco il Messia’ is ‘Ben venga Maggio’ (see above). Music ed. w/Lucrezia’s text in MaceyS, 62. Rz1563 transmits a 2- & 3-part version (both w/Lucrezia’s text; both ed. Mancuso, 320-29) followed by the texts of 4 other laude. RC395 transmits a 2-part version similar to, but more reliable than Razzi’s (ed. MaceyS, 83-5), with the text ‘Ecco’l Signore’. The 2-part version in RC395 is closest to later versions perpetuated in the context of a series of Savonarolan ‘Ecce quam bonum’ motets; see MaceyB, 124-9 & Ch. 7. Lauda attr. to Belcari in Rz1563, & to d’Albizo in Gall2.

note: lauda re. St. Simeon/presentation in temple

note: lauda re. Assumption