Rz1563

note: lauda re. San Paolo

note: alternate cc. for Fabbroni’s lauda is the frottola ‘Tu te lamenti a torto’.

note: lauda for Suore di San Vincenzo di Prato

note: Text and music of cc. ed. Mancuso, no. 31. See also ‘Levati su pastori’ as cc. for related texts and musical settings. On the afterlife of ‘Leviam’ in later Roman sources, see RostirollaLC, 713, 835, and ‘Leviam’ as a lauda. For related musical settings of related text (‘Levate su pastori’, a cc. for ‘Leviam’ i nostri cori’), see RostirollaTL, no.22 (Anim1577), and LuisiLG, ii, 164 (1689/2).

note: MaceyB, 82. Music of ‘O Maria’ à4 in Rz1563 (music ed. Mancuso, 395-7; MaceyS, 40), and there is a different 2-part setting in BerAT30 (ed. Jaenecke); both versions are ed. in LuisiLG, ii, 94-5, with text ed. i, 259. Varied cantus in Ferr84, ed. in Carboni-ZiinoLM, 327. Text attr. variously to Clemente Pandolfini, Leonardo Giustinian, & Francesco Schambrilli. Razzi describes music as ‘laude antichissima’. MaceyS, 224-5 proposes ‘O Maria Diana’ as a cc. for the compatible ‘Voi toccate la chiavetta’.

note: RostirollaB, 713 (‘Io ti lascio’). Lauda ‘fatta per una fanciulla che va alla Religione’. See ‘Io ti lascio’ as cc. for musical settings of this text.
The musical settings of ‘O Maria’ and ‘Io ti lasso’ appear to be unrelated. The lauda text appears in Anim77 set to the same 3-part music as that used in this same source for Belcari’s ‘Giù per la mala via’.

note: Lauda ‘fatta per una Suora che si vesti in Santa Catherina da Siena’.