LA766

note: lauda incipit refers to Belcari’s ‘Dammi il tuo amor Jesù benigno’, with musical setting in PetL/i (ed. LuisiLG,ii, 325-7) unrelated to Rz1563 setting of ‘Si ch’i la vo seguire Magdalena’. The cantus of Razzi’s version is borrowed, intact, from the 2nd superius of Francesco Layolle’s 5-part ‘Si ch’io la vo seguire nessun’altra offesa’; ed. D’AcconeMFR, iii, no. 19. Cc. ed. in Mancuso, no. 75 (Rz1563).

note: Fenlon/HaarIM, 158 (concordant sources); JeppesenF, ii, 114, 131, 136. Music ed. D’AcconeMFR, ii,16-17. Lauda re. nativity.

note: cc may be same as B. Landini’s ‘Oimè, oimè quanto misero se’ (under this title and modo proprio), with music in Rz1563; ed. Mancuso, 549-55. Lauda in Pal169 is probably a corruption version of the ‘Jesù, Jesù ogni mio ben sei’ in M365 with a form (Qr:7/6 ABBx CDDx...) much closer to that of the cc. given here. LA766 preserves incipit identical to that of Pal169, with cc. ‘Home home.’

note: MaceyB, 41f . Rz1563 ed. w/’O maligno’ text on MaceyB, 42-3, and in MaceyS, 6-8; music & text also ed. in Mancuso, 470-7. Cf. ‘Siam galanti di Valenza’ (Canzona de’ Profumi) as cc. for ‘O maligno’; the cantus & carnival song text are transmitted in BR230. On Lorenzo’s lauda, see ‘O maligno’ as a lauda, with cc. = ‘Siam galanti di Valenza’.

note: Lauda re. St. Ursula

note: possibly same cc. as ‘lamento di Jeremia propheta’, though separate Latin & vernacular versions may have existed. Grey transmits a rather contrapuntal a3 setting of the ‘oration Hieremie prophete’ (ed. CattinG, no.38), which resembles an anon. lamentation in Petrucci’s 1st book of Lamentations (Venice, 1506); it is more likely that the cc. refers to an intonation formula used in Florence, than that Petrucci’s lamentation prints preserve some version of the music once sung in Florence for penitential and lenten lauda texts. The widely disseminated lauda text was entered into the Florentine laudario Florence, BNF, Banco rari 19 (no. 103) sometime after the Company of San Gilio compiled the ms. in the 1370s. Rubric in LA1072 reads, ‘Ista lamentio cantata in tono lamentationis ieremie profete.’