SevP

note: see FallowsCat, 554; PrizerF, 12 (“viniziana”); FallowsLG, 255; HaarCM, 51. Music ed. HaarCM, 175 ; CMM42, no. 4 (Cord); LuisiLG, ii, 266 (Cord); ThibaultM, p. 17 (Cord), & lxxxvi (SevP). Alternate cc. = ‘Guerriera mia’. Text ed.Wiese, 79 (‘Perla mia cara, ay dolce amore’). The text of Cord adapts and alters Giustinian’s text, while P4379 is more faithful to it; ThibaultM, lxxxv-lxxxvi.

note: FallowsCat, 514; WilsonSC, 74. Ed. ClercxC, ii, no.9 (PC, PadB), PMFC24, no.30 (PadB). Cc text ascribed to Nicolò Malpighi in CattinNR,304, but according to FallowsCat, 514 the musical sources transmit a different poem with identical incipit.

note: FallowsCat, 509; NádasL, 41-2, 139; CarboniE, 450-1; WilsonSC, 73; FallowsLG, 251-3; Diederichs, 67. Music ed. in PMFC24, no.29; HoppinAMM, 173; ClercC xii, no.8 (Pit); LuisiLG, ii, 256 (T from P4376). Text and music are edited and discussed in A. Kreutziger-Herr, “Rethinking ‘Con lagrime’: Johannes Ciconia, Leonardo Giustinian and the Musical Text’, in VendrixC, 215-32. 4 intabulations in Bux also ed. in PMFC24, 180ff. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35; see CilibertiP, 23-34, and NàdasCR. In R1764, cc. text attr. to ‘Messer Franciescho signior di padova’.