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Database

O donna del mio core-f

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Maria vergine bella [scala?]-a
BaG (xYyX AbAbbCcX)

Lauda Poet: 

Leonardo
Giustinian

Notes: 

note: Rz1563 setting for ‘Maria vergine bella’ ed. LuisiLG, ii, 73-4; Mancuso, 76. Original cc = ‘Donna del cor mio’. This pairing probably identical to that in Ch266 (‘Maria vergine bella scala’, cc. ‘O donna del mio core’). This text of this popular lauda is ed. in Luisi, i, 274, where its structure as a ballata grande is clear (the fragmentary text in Rz1563 is transcribed in Mancuso, where she calls it a canzone).

Music Sources: 
Cantasi Come Sources: 

O donna del mio core-e

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Jesù soccorri, aita l’alma mia-a
BaG (XyyX AbAbbCcX)

Notes: 

note: alternate cc. for ‘Jesu soccorri’ = ‘O rosa mia gentile’ (Rs424)

Music Sources: 
Cantasi Come Sources: 

O donna del mio core-d

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Genitrice di Dio-a
BaMz (xyyx AbAbbccx)

Lauda Poet: 

Feo Belcari

Notes: 

note: alternate cc. = ‘O rosa mia gentile’

Music Sources: 
Cantasi Come Sources: 

O donna del mio core-c

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Del dottor celestino canti-b
BaG (xYyX AbAbbCcX)

Lauda Poet: 

[R]uberto
Benvenuti

Notes: 

note: alternate cc. for ‘Del dottor’ = ‘O rosa mia gentile’ & ‘Non à lo cor’ (Ch266)

Music Sources: 
Cantasi Come Sources: 

O donna del mio core-b

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Cristo risuscitato che dai all’alma
BaG (xyyX AbAbbCcX)

Music Sources: 
Cantasi Come Sources: 

O donna del mio core-a

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Ave virgo Maria piena di grazie
BaG (xYyX AbAbbCcX)

Notes: 

note: Cc. considered to be among the authentic secular poems of Giustinian; BillanovichP, 241. Lauda probably the ‘Ave virgo Maria piena di gratie dell’eterno padre’ listed in Ten, 68 and Frati, 465 as the likely full incipit.

Music Sources: 
Cantasi Come Sources: 

O dolce Iddio [per la tua madre] BaMz (XyY ABABByY)

Poet: 

Michele Chelli

Language: 

it

Composer: 
Lauda: 

O glorioso santo padovano
BaG (XyYX ABAB[B]yY)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: lauda re. St. Anthony of Padua. In LA424, sent to ‘Pagolo [di Jacopo] vaiaio. Cc. for ‘O dolce Iddio’ is ‘Ben lo sa Dio’, with musical settings in Grey, Panc27, Q18, et al.

Music Sources: 
Cantasi Come Sources: 

O dolce Dio per la [tua madre]

Language: 

it

Lauda: 

Jesù che vedi la mia mente pura-b
BaMz (XyY ABABByY)

Lauda Poet: 

Feo Belcari

Music Sources: 
Cantasi Come Sources: 

O dolce amor Jesù-b

Language: 

it

Lauda: 

Dio ti salvi stella mattutina
CapT:7/11 (AbA BcB...)

Lauda Poet: 

suor Tomasa Martelli

Music Sources: 
Cantasi Come Sources: 

O dolce amor Jesù-a

Language: 

it

Lauda: 

Dei miseri mortal salve regina
CapT:7/11 (AbA BcB...)

Lauda Poet: 

suor Tomasa Martelli

Notes: 

note: cc. probably not the lauda ‘O dolce amor Jesù quando sarò’ found in late 15thc. cc. sources, since the poetic form [BaG (XyyX AbAbbccX)] is incompatible with the Martelli’s lauda.

Music Sources: 
Cantasi Come Sources: 

O crudel donna poi che lassato m’ai-b BaG (XyyX AbAbBccX)

Language: 

it

Lauda: 

O Jesù dolce, o infinito amore-b
BaG (XyyX AbAbBccX)

Lauda Poet: 

Leonardo Giustinian

Notes: 

note: See CattinR, no. 80. Ed. w/both texts in LuisiLG, ii, 228 (Panc27).

Music Sources: 

O crudel donna poi che lassato m’ai-a BaG (XyyX AbAbBccX)

Language: 

it

Lauda: 

I’ son l’archangel Rafael-a
BaG (XyyX AbAbBccX)

Lauda Poet: 

Feo Belcari

Notes: 

note: P676 transmits a 3-part setting that is textless except for incipit ‘Crudele’; ed. LuisiLG, ii, 261-3, with the text ‘O crudel donna despietata che lassato me hay’, a Giustinian poem, ed. Wiese, 253, that is not formally compatible with the lauda. See also bibliog. under lauda ‘O Jesù dolce’ (for which ‘O crudel’ is also a cc.). Cc. text transmitted in RA2435, 129-31 (‘O crudel donna, poi che lassato m’ ai/per un altro amadore’) with the form BaG (XyyX AbAbBccX) that matches the lauda more closely. As it stands, the music in P676 looks instrumental, but the cantus firmus-like middle voice may transmit a version of the original vocal melody. The ‘Crudele’ in P676 is also ed. and discussed in Prizer, Instrumental Music/Instrumentally Performed Music ca. 1500: The Genres of Paris, Bibliothèque Nationale, Ms. Res. VM.7 676, in «Le Concert des voix et des instruments à la Renaissance», ed. J.M. Vaccaro, Paris, Éditions CNRS 1995, 195-8.

Music Sources: 
Cantasi Come Sources: 

O crocifisso che nel ciel dimori-p BaMn:11

Language: 

it

Lauda: 

Vivo per te Signor col cor sincero-b BaMn:11

Lauda Poet: 

Feo Belcari?

Music Sources: 

O crocifisso che nel ciel dimori-o BaMn:11

Language: 

it

Lauda: 

Prega per me, sant’Andrea benedetto-b BaMn:11

Lauda Poet: 

Feo Belcari

Music Sources: 

O crocifisso che nel ciel dimori-n BaMn:11

Language: 

it

Lauda: 

Per l’umiltà che’n te Maria trovai-d BaMn:11 (xx ababbx)

Music Sources: 

O crocifisso che nel ciel dimori-m BaMn:11

Language: 

it

Lauda: 

O santo Ignazio, martire e pastore
BaMn:11

Lauda Poet: 

Feo Belcari

Music Sources: 
Cantasi Come Sources: 

O crocifisso che nel ciel dimori-l BaMn:11

Language: 

it

Lauda: 

O Santo Antonio dolce confessore-c BaMn:11

Lauda Poet: 

Feo Belcari

Music Sources: 

O crocifisso che nel ciel dimori-k BaMn:11

Language: 

it

Lauda: 

O santa purità spirituale
BaMn:11

Music Sources: 
Cantasi Come Sources: 

O crocifisso che nel ciel dimori-j BaMn:11

Language: 

it

Lauda: 

O San Francesco, dolce padre mio-d BaMn:11

Lauda Poet: 

Feo Belcari

Music Sources: 

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