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Ciascun che ‘l regno di Jesù desia-a BaMn:11 (xx ababbx)
Notes:
note: see CattinSq, 249; WilsonSC, 73; Diederichs, 61-3. Music ed. in PMFC4, no.4. Cc. text ed. AgenoFS, 176. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35, as ‘Non credo donna’; see CilibertiP, 23-34, and NàdasCR.
Non creder alma che la dolce fiamma BaMz (XyY ABABByY)
Notes:
note: See Diederichs, 68-9, 285. Music ed. in PMFC11, 97-8, where anon. text of the cc. is ‘Non creder donna che la dolce fiamma’ (ie, an incipit closer to that of the lauda in Ch266).
note: Among the ‘canzone a ballo’ listed in Benedetto Dei’s chronicle, is the title ‘E non ci è magior dolor’, attr. to G. di Ser Luigi; see LuisiMF, 89-91. The complete incipit of the cc. in Ch266 is ‘Non cie magior diletto che senpre a gientil donna star sugietto’.
note: LuisiLG, i, 298-300 transmits text of ‘Per sua benignitade/in terra è apparito’ (and a variant on 305-6 that begins ‘Per sua humanitade’), however it is not a good match with the poetic form of Petrarch’s madrigal text, nor is R2871 absolutely clear about the link between these two texts. The lauda is an older text, found in (probably) pre-15thc. sources like BML, Ashburnham 423, fol. 170r, though it is sometimes attributed to Giustinian.
note: CattinSq, 250; WilsonSC, 75; PMFC12, 188; CorsiM. Music ed. MFCI 4, 15-16. None of the cc. references in this secondary literature to Petrarch’s madrigal can be verified. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.
Amanti del Signore piangete mecum Dio CapQ (aBbA aCcD dEeF...)
Notes:
note: lauda apparently not Belcari’s ‘Amanti del Signore piangete el buon Gesu’(cc. ‘O rosa mia gentile’ in Gall1, and ‘Chi arà mai pietate ‘ in M690), though ‘O rosa’ is an alternate cc. for all laude with ‘Non n’à’ as a cc.
note: alternate cc. = ‘O rosa gentile’, ‘Più bel viso’, modo proprio. See also ‘O rosa mia gentile’ as cc. for ‘Non à’. LuisiLG, i, 189, 233 mistranscribes as ‘Dona lo cor’. Lauda in Rs424 w/cc.intended but not entered.
Al bel fonte sacrato di Maria
BaMn2/7 (XX AbabbcX)
Lauda Poet:
Castellano
Castellani
Notes:
note: Carnival song, the ‘Canzona de’ cacciatori’. CattinCC, 206-7, where he notes that there are several Canzone (or Canti) de’ cacciatori, but this one is the most poetically compatible with the lauda. Music ed. GallucciFFM, no.15; text in SingletonCC, 109.
O San Bartolomeo, te invochiamo-a BaMn:11 (XX ABABCC)
Lauda Poet:
Francesco d’Albizo
Notes:
note: Newbigen cites a ‘delightful miracle play of the Three Pilgrims (‘tre pellegrini’) who went to [St. James’] shrine in Galicia’, Piety and Politics in the Feste of Lorenzo’s Florence”, in Lorenzo il Magnifico e il suo mondo, ed. G.C. Garfagnini, Florence, Olschki 1994), 38. The cc. incipit also suggests that this may have been a carnival song.
Chi vuol gustare d’Iddio divin
BaMn2:8 (XX AbCAbCCX)
Lauda Poet:
Francesco d’Albizo
Notes:
note: in LA424, ‘mandata a Cristofano ottonaio’; this is the lauda poet and singer Cristofano da Miniato, a brassworker who whose first recorded activity is as a singer for the Company of San Zanobi in 1456. He wrote two extant laude with cc. links: ‘Vergine alta Regina’ and ‘Vergine santa immaculata e pura’; see WilsonMM, 176; WilsonHM, 291.
note: lauda re. Giovanni Colombini. Cc. text attr. in some sources to Giustinian, but it is older, and found in pre-1450 sources like BML, Ashburnham 423, fol. 166r, and R2929 (copied by 1448); ed. LuisiLG, i, 316-17 (‘Nela beleza del sumo spiandore’).
