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Database

modo proprio

Language: 

it

Lauda: 

Dimmi dolce Maria a che pensavi-b BaG4/7 (XyyX AbABCcX)

Lauda Poet: 

Clemente Pandolfini

Notes: 

note: Carboni-ZiinoLM, 281, and Ferr84 & Rz1563 melodies ed. 325-6; Rz1563 version ed. Mancuso, 311-19. See ‘Dimmi’ as a cc. for many other laude.

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Fatti d’appresso, o anima gentile
CapQ (AbbC EffC)

Music Sources: 
Cantasi Come Sources: 

modo proprio

Lauda: 

Anima mia letare, ecco’l tuo buon-b BaG4/6 (xyyX ababbx)

Notes: 

note: alternate cc = ‘Jerusalem letare’

Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Signore io pur vorrei salir’
BaG (xYyX ABABbCcX)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 206; CattinR, 25. Music & text ed. Mancuso, 648-54. Lines 1,3, & 8 of each stanza are in Latin, from the psalm ‘Plorans ploravit’, each forming a terzina that rhymes aax.

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Dir pur cosí vorrei-b
BaG:7 (xyyx ababbccx)

Lauda Poet: 

Antonio di Mariano Muzi

Notes: 

note: see also ‘L’amor a me venendo’ as cc for ‘Dir pur’, though the Gall2 rubric seems to indicate that the modo proprio setting of this lauda is independent of the music for ‘L’amor a me venendo’.

modo proprio

Language: 

it

Lauda: 

Molti son da Jesù nel ciel chiamati-b BaG (XYyX AbAbBCcX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: see ‘Jesù fammi morire’ as cc. for ‘Molti son da Jesù’.

Music Sources: 

modo proprio

Language: 

it

Lauda: 

O Jesù dolce, o infinito amore-a
BaG (XyyX AbAbBccX)

Lauda Poet: 

Leonardo Giustinian

Notes: 

note: See CarboniE, 459-61; CattinNF, 200-1. Music ed. CattinG, no. 21 (Grey); LuisiLG, ii, 88-93 (all ). Text entered in R2929, which was copied by 1448; ed. LuisiLG, i, 255. See also ‘O Jesù dolce’ as cc. for numerous laude.

Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Amor Jesù diletto vien dentro
BaG (xyyX ababbccX)

Notes: 

note: Music ed. LuisiLG, ii, 4-5; text ed. i, 289-90. Diplomatic transcription in Diederichs, 404-5.

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it-carn

Lauda: 

Dalla più alta stella disces’in terra-b 7:7/11 (aBcBccA)

Lauda Poet: 

Lorenzo de’ Medici?

Notes: 

note: Music & text ed. Mancuso, 706-12. See ‘Dalla più alta stella discende a celebrare’ as cc. for this lauda. Lauda attr. to Lorenzo in the cc. sources, but excluded from Toscani’s edition.

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Composer: 

Innocentius
Dammonis

Lauda: 

Lasso i’ moro, omè ch’ i’ moro
BaMz3/4:5/4 (xxy aaay bbby...)

Notes: 

note: 4-part setting by Dammonis in PetL/i ed. in JeppesenL, no. 91.

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

O bontà infinita
BaG4/6 (xYyX abaBBX)

Lauda Poet: 

Simon Pallaio

Notes: 

note: lauda is a brief dialogue between Jesus and the sinner.

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

O gran Cristian’, destate ‘l cor
BaG4/6 (XYyX ABABbX)

Lauda Poet: 

Simon Pallaio

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Simone e Giuda n’andorno
BaMn:8

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Vergine sacra e degna
BaG (xyyX aBaBbccX)

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Quanto sia lieto e giocondo
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 201; vernacular version of Ps.132, ‘Ecce quam bonum’, and so probably Savonarolan (cf. music for ‘Ecce quam’ in Rz1563)

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Signor Jesù, omè, soccorri, aita
7 (ababbcc dedeeff)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 202; CattinR, 14. Cattin notes similarity of lauda incipit to Baccio degli Organi’s ‘Signor, soccorr’et aita’ (a4 in Rz1563; BR337 bassus only; modo proprio in R196)

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

La speranza e’l tempo fugge
BaG4/6:8 (xyyx ababbx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 204; CattinR, 22.

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

S’io mori in croce per te-a
BaG:8 (xyyx ababbyyx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 204; cc. in M365 for this lauda = ‘Se tuo servo Amor me fe’, w/music in BR230 & BR337. Music ed. w/both texts in CattinCC, 224-6.

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Cor maligno pien di fraude-a
BaG:8 (xyyx ababbcyx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 205; CattinR, 24; RostirollaB, 691-2. Text & music ed. Mancuso, 358-60 (Rz1563). See ‘Oimè lasso’ as cc. for ‘Cor maligno’, with music in Ferr84 & BL.Eg5041. Rz1563 music for ‘Cor maligno’ differs from that of ‘Oimè lasso’ in Ferr84.

Cantasi Come Sources: 

modo proprio

Language: 

it-carn?

Lauda: 

Ogni giorno tu mi di-b
BaG:7 (xyyx ababbyyx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 194, 205-6; MaceyB, 55, 84; Carboni-ZiinoLM, 281. Music ed. MaceyS, 43; Carboni-ZiinoLM, 321; Mancuso, no. 42. In Pal169, ‘Ogni giorno’ listed as lauda w/cc = Castellani’s ‘Tu mi di’ ch’io non morrò (Pal169), which in turn has a cc. = ‘Rendo l’arme al fiero amore’ (R196; a frottola with extant music in P676 & Triv55). Castellani’s laude ‘Non fu mai più dolce’ and ‘Ogni giorno’ share ‘Franza, Franza, viva Franza’ as cc., suggesting that this Carnival song is the original text for Razzi’s music (ed. w/carnival song text in MaceyS, 42). The two-part setting in Rz1563 is probably an arrangement of the original 3- or 4-part music for ‘Franza, franza’. See ‘Ogni giorno’ as cc., and for other possible musical models for Castellani’s lauda, see ‘Oimè, lasso’ as alternate cc. w/modo proprio setting, and ‘Jesù nostro riscatto’ as a cc. w/3-part setting in Anim1577.

Cantasi Come Sources: 

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