Database

modo proprio

Language: 

it

Lauda: 

Di promesse e di ben fare, peccator BaG:11 (xyyx ababbyyx)

Notes: 

note: CattinR, 25

Music Sources: 
Cantasi Come Sources: 
R196

modo proprio

Language: 

it-carn?

Lauda: 

Madre del sommo ben Jesù-a
8:7/11 (AbbAacCC)

Notes: 

note: CattinR, 25-6 proposes that the poetic model for this lauda is the carnival song, ‘Pose natura ogni cosa mortale’ (the ‘Trionfo del lauro’), by Guglielmo Angiolini, ed. SingletonCC, 223. Cattin edits the first two stanzas of both poems on p. 26.

Music Sources: 
Cantasi Come Sources: 
R196

modo proprio

Language: 

it

Lauda: 

Jesù donami pace benchè
BaG (xYyX aBaBbCcX)

Notes: 

note: CattinR, 26

Music Sources: 
Cantasi Come Sources: 
R196

modo proprio

Language: 

it-carn?

Lauda: 

Duolti e piangi tua fallenza
BaG4/6:8 (xyyx ababbx)

Notes: 

note: CattinR, 26 notes that this lauda is modeled on the meter and rhyme scheme of Castellani/Alemanni’s sacred carnival song ‘Dolor pianto e penitenza’ (‘Canzona/Carro de’ morti’).

Music Sources: 
see ‘Dolor
pianto?
Cantasi Come Sources: 
R196

modo proprio

Language: 

it

Lauda: 

Venga ogni cor ardente/a lodar Maddalena BaG (xYyX ABABbCcX)

Lauda Poet: 

Serafino Razzi

Notes: 

note: music & text ed. Mancuso, 281-6. Razzi transmits another lauda with a similar incipit (‘Venga ogni cor ardente a veder il Messia’), but with different line lengths, and text & music of ‘L’amor a me’ as cc.

Music Sources: 
Rz1563 (a2)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Molto più guerra che pace-b
BaG (xyyX ABaBbccX)

Lauda Poet: 

Simon Pallaio

Notes: 

note: text & music ed. Mancuso, 287-96. See ‘Molto più guerra’ with a cc. of ‘El dì di Berlingaccio’.

Music Sources: 
Rz1563 (a4)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Alma che scarca dal corporeo velo
Str:11

Notes: 

note: text & music ed. Mancuso, 556-63. ‘Stanze da cantarsi nell’essequie di qualche morto fedele’.

Music Sources: 
Rz1563 (a4)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Che bella vit’ha’l mond’un villanello Str:11

Notes: 

note: music & text ed. Mancuso, 567-9. ‘Descrizzione dell’hore dei giorni della State’.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Se tua parola Jesù ne da vita
Ca:11 (abx x cbx x dbx x)

Lauda Poet: 

Serafino Razzi

Notes: 

note: text & music ed. Mancuso, 579-83. This is one of 5 villote Razzi adapted, this one originally called ‘Assa buccaccia zuccaro ci tieni’, from Il terzo libro delle villote alla napolitana (Venice, 1560); see MaceyB, 57-8.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Signor per la tua fe, morir voglio-b 3/5:6/7 (aabbX XXy ccddX XXy ...)

Lauda Poet: 

Serafino Razzi

Notes: 

note: RostirollaB, 751-2; MaceyB, 57-8, where he notes that Razzi adapted the music for this lauda from an anon. villotta, ‘Gentil signor’ affe ch’io mi moro’ (Venice, 1560); music ed. Mancuso, 585-6. Different musical setting of Razzi text (with textual variants) in Anim1577; ed. RostirollaTL, 47 (facs. p.24); Anim1577 & 1589/2 versions nearly identical, but bear only vague similarities to the setting in Rz1563.

Music Sources: 
Rz1563
Anim1577
1583/3
1589/2
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Vorria saper da voi figli ribelli
2/3:11/7 (AX xyY BX xyY...)

Lauda Poet: 

Serafino Razzi

Notes: 

note: text & music ed. Mancuso, 591-4. This is one of 5 villote Razzi adapted, this one based on the anonymous ‘Vorria saper da voi belle Zitelle’, from Il terzo libro delle villote alla napolitana (Venice, 1560); see MaceyB, 57-8.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

O vergin santa non m’addandonare 2:11 (aa bb cc...)

Lauda Poet: 

Serafino Razzi

Notes: 

note: text & music ed. Mancuso, 595-7. Rubric in Rz1563: ‘Priegho per i Novizii’.

Music Sources: 
Rz1563 (a1)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Jesù mio, Jesù mio, o oy, oy
2:7/8 (ab cc ba)

Notes: 

note: text & music ed. Mancuso, 629-30. Razzi includes a rubric (canon) explaining how to realize the 3-part work from the single melody he provides.

Music Sources: 
Rz1563 (canon a3)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Deh dolce redentore Jesù soccorri
BaG (xYyX AbAbbCcX)

Lauda Poet: 

Lorenzo
Tornabuoni

Notes: 

note: text & music ed. Mancuso, 680-7. See MaceyB, 113-15, where Razzi’s setting is edited and underlaid with the text of Savonarola’s ‘Alma che sì gentile sei per amor’ (which along with d’Astore’s ‘Alma che sì gentile/ti fé’ have poetic forms and rhyme schemes identical to ‘Deh dolce redentor’). Music ed. with all 3 texts in MaceyS, 71-9; texts ed. & trans. xlviii-l. Gall4/Pal120/R196 transmit variant incipit ‘O dolce redentor’, and no cc. MaceyB reconstructs the chain of cc. links: d’Astore’s lauda had its own setting or could be sung to the tune of ‘O benigno Signore’ (Gall2); no music for ‘O benigno Signore’ survives, but in BNF, J.VIII.5 (late 16thc), ‘Signore soccorri aita’ (see Bartolomeo’s a4 setting) could be sung to ‘O benigno Signore’ or ‘O dolce redentore’. Thus, the setting in Rz1563 is a possible source for all of these texts.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Pal120
R196
Rz1563 (Gall4)

modo proprio

Language: 

it-carn?

Lauda: 

Viva, viva in orazione-a
BaMn2/8:8 (xx ababbccx)

Notes: 

note: original text was probably the carnival song, the Canzona degli uomini salvatichi: ‘Viva viva la ragione’, for which Razzi transmits the a3 music, ed. MaceyS, 23-31 (where a third text is added to the cluster of related texts: ‘Viva, viva in nostro core’); Mancuso, 713-20. See MaceyB, 56, 64-6 (w/music ed. on 65). Text in Gall4 without cc., and incipit ‘Viva, viva l’orazione’.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Rz1563 [Gall4]

modo proprio

Language: 

it

Lauda: 

O dolce amor Jesù quando sarò-b
BaG (XyyX AbAbbccX)

Lauda Poet: 

Giustinian/
Bianco da Siena

Notes: 

note: for bibliographic information on ‘O dolce’, see ‘Che credi fare amore’ (Ch266) as an alternate cc.

Music Sources: 
B207
Rz1563
Ven
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Laudata sempre sia la vergine Maria 2:7 (aa)

Notes: 

note: Music & text ed. Mancuso, 765-7. Rubric in Rz1563: ‘cantasi in Orsan Michele, et all’altre composte innanzi a ogn’altra cosa’.

Music Sources: 
Rz1563 (a4)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Canti gioiosi e dolce melodia-b
BaMn:11 (xx aaax bbbx...)

Notes: 

note: for bibliography, see ‘J’ay pris amours’ as cc. for ‘Canti gioiosi’, the latter a lauda text with a long history in Florentine sources.

Music Sources: 
Pav361
Cantasi Come Sources: 
Pav361

modo proprio

Language: 

it

Lauda: 

Non tardati peccatori andative
BaG:8 (xyyz ababbccz)

Lauda Poet: 

Jacopone da Todi?

Notes: 

note: See CattinNF, 205. Music ed. CattinG, no.33 (with notes on xxvi); LuisiLG, ii, 185-6. Text ed. LuisiLG, i, 281-3; Grey incipit is to first stanza, whereas the refrain incipt is ‘Non tardati peccatori/tornati a penitenzia’. This text is found in older Florentine sources like BML, Ashburnham 423, fol. 50r, and R2929, no. 140 (copied by 1448), and is acribed in some sources to Jacopone da Todi.

Music Sources: 
Grey
Cantasi Come Sources: 
Grey

modo proprio

Language: 

it

Lauda: 

Anima pellegrina che d’amor
BaG:7

Lauda Poet: 

Leonardo Giustinian?

Notes: 

note: CattinNF, 200; Diederichs, 246-51. Music ed. CattinG, no.19 (Grey), w/notes on xxii; CattinCon, 68-9 (Pav361); Diederichs, 430-2 (Pav361 & Grey), and LuisiLG, ii, 12-14 (Grey,Pav361 & PetL/i versions, which are unrelated). B207 version, also unrelated to the others, ed. in EynardLP, 84-5. Text ed. LuisiLG, i, 287-8, and found in Gall3 without cc. Text entered in R2929, which was copied by 1448, so it is likely to have been known in Florence with a modo proprio setting (implied by its entry in Gall3 without a cc. title), possibly one of those transmitted in the above non-Florentine sources.

Music Sources: 
B207
Grey
Pav361
PetL/i
Cantasi Come Sources: 
Grey [Gall3]

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