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Database

modo proprio

Language:

it-mad?

Lauda:

Ecco care sorelle il ver Messia
Mad (ABaBbCcdDEeFF)

Lauda Poet:

Fra Pierfelice Caiani

Notes:

note: text and music ed. Mancuso, 670-9. See also as cc. for several other laude in Rz1563. Given the form, style, and awkwardness of text underlay, this is almost certainly a contrafactum of an early madrigal.

Music Sources:

Rz1563 (a4)

Cantasi Come Sources:

Rz1563

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modo proprio

Language:

Lauda:

Quando ti sguardo in croce, Signor mio BaMz (XyX ABABBcX)

Notes:

note: Music & text ed. Mancuso, 752-7. The lauda text is very old

Music Sources:

Rz1563 (a3)

Cantasi Come Sources:

Rz1563 [Gall3]

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modo proprio

Language:

Composer:

Dufay/Razzi

Lauda:

Vergine bella che di sol vestita
Cz (ABCBACCddCEffe)

Lauda Poet:

Petrarch

Notes:

Note: FallowsCat, 565-6; Mancuso, 125-7; RostirollaLC, 783-4, 847. Dufay setting ed. CMM1/vi(r), no. 5; DuffinD, 62; facs. in PlanchartW (Q15, Ox). Rz1563 setting a2 & Razzi melody from Pal173 ed. in LuisiLG, ii, 137-9; Mancuso, 270-76. Text ed. in LG, i, 269 (attr. to Giustinian in many sources). See ‘Vergene bella gratiosa et pura’ in Ven145, w/melodic similarities. Later settings of text by Tromboncino (1510), & Rz1563, w/some melodic similarities (JeppesenF, ii, 105). In Pal173, Razzi presents a cantus melody for the first two lines, and this differs completely from either Dufay’s chanson or Rz1563.

Music Sources:

Cantasi Come Sources:

Rz1563

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modo proprio

Language:

Lauda:

Ave Regina ch’ai rifatto ‘l ciel
CapQ:7 (abab cdcd...)

Music Sources:

Cantasi Come Sources:

R2988

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modo proprio

Language:

Lauda:

Semper Virgo Maria el nome
BaMn (xX AbAbbX)

Music Sources:

Cantasi Come Sources:

R2988

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modo proprio

Language:

it-mad

Composer:

Razzi?

Lauda:

Vergine bella che di sol vestita
Cz (ABCBACCddCEffe)

Lauda Poet:

Petrarch

Notes:

note: The Razzi settings (Rz1563, Pal173) preserve the cantus melody of the madrigal setting found in Q21, Yale179, and Mgl.111. That this text in its madrigalesque setting was sung in early 16thc. Florentine convents is indicated by its arrangement in Rz1563, but the transmission of the text (without music or cc. rubric) in M365 and R2988.

Music Sources:

Cantasi Come Sources:

Rz1563 [M365

R2988]

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modo proprio

Language:

Lauda:

Madre che festi colui che ti fece-b
Qr:11 (abba cddc...)

Lauda Poet:

Leonardo Giustinian

Notes:

note: See ‘Madre’ as a cc. for bibliographic notes. Alternate cc. = ‘J’ay pris amours’ & ‘Mon seul plaisir’ (Gall2).

Music Sources:

Ven

PetL/i

Cantasi Come Sources:

Read more about modo proprio

modo proprio

Lauda:

Ora mai sono in età-a
BaG:8/7 (xyyx ABABBCCx)

Lauda Poet:

Feo Belcari

Notes:

note: for extensive bibliography on this song, see ‘Ora mai che fora son’ as secular cc. for ‘Ora mai sono in età’. Rubric in RC395 reads: ‘lauda da cantarsi per quelle, o da quelle, che vogliono esser monache, cantasi a modo proprio’.

Music Sources:

EscB

P16664

Rz1563

Cantasi Come Sources:

RC395

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modo proprio

Language:

Lauda:

Alma che sì gentile/sei per-b
BaG (xYyX AbAbbCcX)

Lauda Poet:

Girolamo Savonarola

Notes:

note: alternate cc. = ‘O rosa’, ‘Non à lo cor’, ‘Più bel viso’ & d’Astore’s ‘Alma che sì gentile/ti fe’. See ‘Alma’ as cc. source for other laude.

Music Sources:

see ‘Alma’ as cc.

Cantasi Come Sources:

Gall2

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modo proprio

Language:

Lauda:

Jesù sommo conforto/tu se’-a
Ca2/4:8/10/7 (abab XX cdcd..)

Lauda Poet:

Girolamo Savonarola

Notes:

note: See MaceyB, 99-105; RostirollaB, 710. Settings by Scotus (PetL/ii), in Anim1563, Rz1563, & Verovio (Rome,1586; w/lute & keybd. intab.), all ed. in MaceyS, 53-60, with text ed. & translated on xlii-xliii. Razzi cantus transcr. in Carboni-ZiinoLM, 322 (Ferr84 transmits music with text ‘Ogn’un lodi Maria’). Incipit in printed cc. sources is ‘O Jesu...’, and with textual variants in the first stanza. See also ‘Jesù sommo conforto’ as a cc.

Music Sources:

Cantasi Come Sources:

Read more about modo proprio

modo proprio

Language:

Composer:

Ser Firenze

Lauda:

Jesù splendor del cielo et vivo
7:7/11 (AbbABCC)

Lauda Poet:

Girolamo Savonarola

Notes:

note: MaceyB, 115-17. ‘Lauda di S. Maria Magdalena a pie’ di Christo’, sung, according to BecheriniSR, 205, at the conclusion of the Rappresentazione di un miracolo di S. Maria Maddalena.

Music Sources:

Cantasi Come Sources:

Rs424 [A160

M365]

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modo proprio

Language:

Lauda:

Alma che sì gentile/ti fe’-b
BaG (xYyX AbAbbCcX)

Lauda Poet:

Gherardo d’Astore

Music Sources:

see ‘Alma’ as cc.

Cantasi Come Sources:

Read more about modo proprio

modo proprio

Language:

Lauda:

Ave fonte d’amore, Spirito Santo-b BaG (xYyX AbAbbCcX)

Lauda Poet:

Castellano
Castellani

Notes:

note: alternate cc. for ‘Ave fonte’ = ‘Alma che sì gentile/sei per’; & ‘Ave fonte’ in turn is cc. for ‘Ave cella’ d’amore’.

Music Sources:

see ‘Alma che’

Cantasi Come Sources:

Read more about modo proprio

modo proprio

Language:

Lauda:

Fratel nostro, che s’è morto
BaMn:11

Music Sources:

Cantasi Come Sources:

Read more about modo proprio

modo proprio

Language:

Composer:

Ser Firenze

Lauda:

Conosco ben che pel peccato mio
BaMz (XYX AbAbBCX)

Lauda Poet:

Francesco d’Albizo

Notes:

note: ‘Et ha modo proprio molto bello facto da Ser Firenze prete’ (Rs424, with similar rubrics in Gall2, R196). Music & text ed. Mancuso, 721-30. LA424: lauda ‘mandata a Fra Domenico Ricci in Santa Maria Novella’.

Music Sources:

Rz1563 (a3)

Cantasi Come Sources:

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modo proprio

Language:

Lauda:

Miseremini mei...Io mi trovo-c
BaMn:7/8 (xxX ABABBX)

Lauda Poet:

Castellano
Castellani

Notes:

note: cf. ‘Anima ingrata’ as cc. for ‘Miseremini mei’, and ‘Miseremini’ as cc. for ‘O Jesù a’ tuo’ piedi’. Lack of cc. in Rs424, R2896 implies the modo proprio indication found in RC395. See CattinCC, 199-200, music (a3) ed. 220-222. Lauda also entered (w/out cc.) in Ferr84. The music found in 1531/4 is in fact for a secular text (‘Miseremini mei...I’ son proprio la sciagura’) that CattinCC,199 argues was the model for Castellani’s lauda, and form of which is more compatible with the lauda text than is the text of ‘Anima ingrata’.

Music Sources:

1531/4

Cantasi Come Sources:

CS1547

RC395

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modo proprio

Language:

Composer:

Giovanni Animuccia

Lauda:

Purità Dio ti mantegna-b
BaG:8 (xyyx ababbccx)

Lauda Poet:

Jacopone da Todi

Notes:

note: RostirollaB, 741. ‘Purità Dio’ is cc. for ‘Aggio visto il cieco mondo’, and alternate cc. for ‘Aggio visto il cieco mondo’ = ‘Aggio visto ‘l mappamondo’ [lappamondo]--see the latter for musical settings. Text ed. BettariniJ, 407. Rubric in Ch266 reads, ‘Lauda di purita in sul modo suo’.

Music Sources:

Anim1563

Cantasi Come Sources:

Ch266 [Gall3]