Database

modo proprio

Language: 

it

Lauda: 

Lodate fanciulletti in suono
CapT:11

Lauda Poet: 

Serafino Razzi

Notes: 

note: music ed. LuisiLG, ii, 156 (though the cc sources do not support the link with the text of ‘Ave tempio di Dio’ that Luisi proposes with this transcription); Mancuso, 266-9. See also ‘Lodate’ as a cc.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Composer: 

Heinrich Isaac (lost)

Lauda: 

Vieni a me peccatore-b
BaG4/6 (xyyX ababbX)

Lauda Poet: 

Lorenzo de’ Medici

Notes: 

note: BlackburnTCS, 126-7; OsthoffT, i, 73-7, where he discusses the song in its theatrical context, Lorenzo’s Rappresentazione di San Giovanni e Paolo. Francescso Buonacorsi’s Florentine print of ca. 1485-90 is accompanied by the rubric ‘cantasi come Amore io vo fuggendo, e ancora a uno modo proprio composto per Isac’.

Music Sources: 
Cantasi Come Sources: 
Rappresentazione di San Giovanni e Paolo (Florence: F. Buonacorsi
c.1485-90)

modo proprio

Language: 

it

Lauda: 

O Signor mio, deh non mi abbandonare 2/3:11/5 (AX xxX BX xxX...)

Lauda Poet: 

Serafino Razzi

Notes: 

note: This is one of 5 villote Razzi adapted, this one from the anonymous ‘Havea na gallina capelluta’, from Canzoni alla napolitana (Rome, 1557); see MaceyB, 57-8. Text and music ed. Mancuso, 587-90.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

In su quell’alto monte ...traboc- ch’ella-c 2:7/9/10 (aB cB dB...)

Lauda Poet: 

Bianco da Siena

Music Sources: 
Rz1563
Cantasi Come Sources: 
M365

modo proprio

Language: 

it

Lauda: 

Virgo madre Maria-a
BaG (xyyX ababbccX)

Lauda Poet: 

Lorenzo di
P.F. de’ Medici

Music Sources: 
Cantasi Come Sources: 
Pal120
R196

modo proprio

Lauda: 

Misericordia, eterno Dio
BaMz3/4:8 (xxy aaay bbby...)

Music Sources: 
Cantasi Come Sources: 
Pal120
R196 [Gall3]

modo proprio

Language: 

it

Composer: 

[Innocentius Dammonis]

Lauda: 

Spirito Santo amore-d
BaG (xyyX ababbccX)

Lauda Poet: 

Leonardo Giustinian

Music Sources: 
PetL/i
Mil1576
Tor1579
1580/5
1584/2
Como1596
Como1600
Cantasi Come Sources: 
Pal120
R196

modo proprio

Language: 

it

Lauda: 

Diren la vita in brieve
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Bernardo d’Alamanno de’ Medici

Music Sources: 
Cantasi Come Sources: 
Pal120
R196

modo proprio

Language: 

it

Lauda: 

Tromba che ‘l divin suono
BaMz (xyY aBaBbcX)

Music Sources: 
Cantasi Come Sources: 
Pal120
R196

modo proprio

Language: 

it

Lauda: 

Cantiam di core
BaMn (Xx ababbx)

Music Sources: 
Cantasi Come Sources: 
Pal120
R196

modo proprio

Language: 

it

Lauda: 

Oggi in terra si onora
BaMn2/8:7/5 (XY ABABBCcX)

Notes: 

note: rubric in Gall4 (which lacks a cc. indication) is ‘Lauda d’Ognissanti’.

Music Sources: 
Cantasi Come Sources: 
Pal120
R196

modo proprio

Language: 

it

Lauda: 

Al franco capitano
6:7/11 (aBaBcX)

Notes: 

note: lauda re. St. Sebastian.

Music Sources: 
Cantasi Come Sources: 
Pal120
R196

modo proprio

Language: 

lat

Lauda: 

Ecce quomodo moritur iustus

Notes: 

note: MaceyB, 137-9, where text & music are ed., and the composition discussed as the musical centerpiece of a Savonarola ‘hidden triptych’, flanked by and related to ‘La carità è spenta’ and ‘O anima accecata’ in Rz1563. The anon. 4-part setting is strictly chordal in texture.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Lodiam col pure core e con la mente BaG (XyyX AbAbbccX)

Lauda Poet: 

Fra Hilario Buoninsegni

Notes: 

note: music and text ed. Mancuso, 487-92. Lauda in honor of St. Cecilia. See ‘Lodiam’ as a cc. for other laude. The music is very likely a two-part arrangement of music originally intended for a carnival song text.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Già fu presa da te, l’anima mia
Ca4/5:6 (abba caabb deeff..)

Notes: 

note: music and text ed. Mancuso, 501-6. Given the moments of awkward text accentuation in this setting, this is probably a contrafactum of a secular song, though its poetic form does not suggest a carnival song model.

Music Sources: 
Rz1563
Anim1563
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Jerusalem letare, ecco’l Signore
BaG4/6 (xyyX ababbX)

Lauda Poet: 

Giovanni Battiloro

Notes: 

note: music and text ed. in Mancuso, 530-4.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Ave regina celi sposa del Signore
BaMn:7 (ababbc cx)

Notes: 

note: text and music ed. Mancuso, 535-41. Rubric: ‘Laude all Nunziata di Firenze’ (Santissima Annunziata).

Music Sources: 
Rz1563
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Stommi qui al monument’ogn’or
CapT:11 (axx bxx cxx...)

Notes: 

note: text and music ed. Mancuso, 598-600. Rubric in Rz1563: ‘Lamento della Maddalena al Sepolchro di Christo’.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it

Lauda: 

Facciam festa or su facciamo
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Pierfelice Caiani

Notes: 

note: music and text ed. Mancuso, 616-19. Some awkward moments of text underlay suggest that this may be a contrafactum.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Rz1563

modo proprio

Language: 

it-mad

Composer: 

Jacob Arcadelt

Lauda: 

Herode il volto mio pallido e smorto-b Mad (AbCBDeEDFFGG)

Lauda Poet: 

Serafino Razzi

Notes: 

note: text and music ed. Mancuso, 631-40. Rz1563 rubric: ‘...per una Suora che si vesti in Santa Catherina da Siena la festa di san Giovanni dicollato 1562’ (in Pal173, 32r, Razzi indicates that he composed the lauda ‘a petizione delle venerabile sourie di Santa Caterina da Siena’). The piece is in fact a contrafactum of Arcadelt’s 4-part madrigal (the music of which is faithfully preserved here) ‘Madonna il volto mio pallido.’

Music Sources: 
Rz1563
Cantasi Come Sources: 
Rz1563

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