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Mon trestout--see Il estoit ung b.

Music Sources:

Cantasi Come Sources:

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Mon seul plaisir ma doulce joye-d R4:8 (abba)

Poet:

Charles d’Orléans

Language:

Composer:

Bedyngham

Lauda:

Ogni piacere io amando te-b
Qr:11 (abba acca adda)

Lauda Poet:

Francesco d’Albizo

Notes:

note: CattinR, 32; CattinCI, 419. LA424: ‘cantasi come mosir placer, mandata alle monache delle murate’. The Murate was a wealthy Benedictine convent, criticized by Savonarola for their cultivation of figural music; see MaceyB, 95-6. The association of this lauda and its secular polyphonic cc. link appears to confirm Savonarola’s appraisal.

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Mon seul plaisir ma doulce joye-c R4:8 (abba)

Poet:

Charles d’Orléans

Language:

Composer:

Bedyngham

Lauda:

Nessun piacer ho senza te Jesù-b
Qr:10 (abba bccb cddc)

Lauda Poet:

Feo Belcari

Notes:

note: see also ReidemeisterC, 95. CattinR, 32; CattinCI, 419.

Music Sources:

Cantasi Come Sources:

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Mon seul plaisir ma doulce joye-b R4:8 (abba)

Poet:

Charles d’Orléans

Language:

Composer:

Bedyngham

Lauda:

Madre che festi colui che ti fece-c
Qr:11 (abba cddc...)

Lauda Poet:

Leonardo Giustinian

Notes:

note: CattinCI, 419. Alternate cc. = ‘J’ay pris amours’, modo proprio.

Music Sources:

Cantasi Come Sources:

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Mon seul plaisir ma doulce joye-a R4:8 (abba)

Poet:

Charles
d’Orléans

Language:

Composer:

Bedyngham

Lauda:

Apostol glorioso excelso e degno
Qr:11 (abba acca adda aeea)

Notes:

note: see FallowsCat, 285-6; CattinCI, 419. Music ed. in ThibaultM, 65 (Cord); HanenE, no. 23 (EscB); LuisiLG, ii, 165 & SchavranP, ii, 25 (Pav362); EMS28, no. 1 (Pix; w/possibly earlier Eng. text, ‘Mi verry joy’, on which see FallowsW); CMM1/vi, no. 90 (Porto), GutiérrezW, 59 (Wolf). For citations of melody, see FallowsCat, 285.

Music Sources:

Cantasi Come Sources:

R2896

Read more about Mon seul plaisir ma doulce joye-a R4:8 (abba)

Mon bien m’amour ?R5:10

Language:

Composer:

Dufay/ Morton?

Lauda:

Mio ben mio amor mia gioia e mio disio 5:11 (ababa cdcdc...)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 278-9; WilsonSC, 87; CattinCI, 425; CattinR, 34. Music ed. AtlasM, no. 5 ;CattinCI, 426-7 (both texts compared); CMM1/vi, no.71; EMS23, no.2. Original French text of cc. unclear; Cattin/ Fallows favor d’Alebret’s ‘Mon bien m’amour et ma maistresse’ in Dufay’s setting, but Fallows (FallowsCat, 278) suggests that the original text of Morton’s ‘Mon bien ma joyeux’ may be ‘Mon bien m’amour ma joye et mon desir’ (closer to Belcari’s lauda title), with a musical setting by Morton in Pix. The Florentine provenance of the source of Morton’s setting (Pix), and the greater formal compatibility between lauda and Morton’s text (R5:10 vs. Dufay’s R4:8) support this link.

Music Sources:

Tr87 (Dufay)

Pix (Morton)

Cantasi Come Sources:

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Molto m’annoia dello mio messer

Language:

Lauda:

Jesù sommo diletto et verolume-b
BaMz (XyY AbAbCcY)

Lauda Poet:

Feo Belcari

Notes:

note: alternate cc. = ‘Leggiadra damigella’. Music ed. in MaceyS, 68-9; Mancuso, no. 79. See ‘Jesù sommo’ as cc. for ‘Jesù dolce’.

Music Sources:

Rz1563

Cantasi Come Sources:

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Molti son da Jesù nel ciel chiamati-f BaG (XYyX AbAbBCcX).

Poet:

Francesco d’Albizo

Language:

Lauda:

Speranti, umil, fedel supplico
BaG (XYyX AbAbBCcX).

Lauda Poet:

Francesco d’Albizo

Notes:

note: in LA424, sent to ‘frate Lorenzo de’ Ricci in Santa Maria Novella’.

Music Sources:

Cantasi Come Sources:

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Molti son da Jesù nel ciel chiamati-e BaG (XYyX AbAbBCcX)

Poet:

Francesco d’Albizo

Language:

Lauda:

Piangendo i’ penso come i’ possa
BaG (XYyX AbAbBCcX)

Lauda Poet:

Francesco d’Albizo

Notes:

note: in LA424, ’mandata a Fra Domenic Ricci [in Santa Maria Novella]’.

Music Sources:

Cantasi Come Sources:

Gall4

LA424

Read more about Molti son da Jesù nel ciel chiamati-e BaG (XYyX AbAbBCcX)

Molti son da Jesù nel ciel chiamati-d BaG (XYyX AbAbBCcX)

Poet:

Francesco d’Albizo

Language:

Lauda:

O santa carità, virtù divina
BaG (XYyX AbAbBCcX)

Lauda Poet:

Francesco d’Albizo

Notes:

note: in LA424, sent to Fra Tebaldo, camerlingo in the hospital of Santa Maria Novella.

Music Sources:

Cantasi Come Sources:

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Molti son da Jesù nel ciel chiamati-c BaG (XYyX AbAbBCcX)

Poet:

Francesco d’Albizo

Language:

Lauda:

Miserere di me, Signore Iddio
BaG (XYyX AbAbBCcX)

Lauda Poet:

Francesco d’Albizo

Notes:

note: in LA424, sent to Maffeo Gherardini.

Music Sources:

Cantasi Come Sources:

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Molti son da Jesù nel ciel chiamati-b BaG (XYyX AbAbBCcX)

Poet:

Francesco d’Albizo

Language:

Lauda:

Laudiam con festa e con letizia
BaG (XYyX AbAbBCcB)

Lauda Poet:

Francesco d’Albizo

Music Sources:

Cantasi Come Sources:

Read more about Molti son da Jesù nel ciel chiamati-b BaG (XYyX AbAbBCcX)

Molti son da Jesù nel ciel chiamati-a BaG (XYyX AbAbBCcX)

Poet:

Francesco d’Albizo

Language:

Lauda:

Io laudo e benedico a tutto l’ore
BaG (XYyX AbAbBCcX)

Lauda Poet:

Francesco d’Albizo

Notes:

note: ‘Molti son’ = modo proprio in Gall2. See ‘Jesù fammi morire’ as cc. for ‘Molti son’, w/music in PetL/i. In LA424, lauda sent to Maffeo Gherardini.

Music Sources:

Cantasi Come Sources:

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modo proprio

Language:

it-carn

Lauda:

Come d’un sol color son nostri-b
BaG (XyyX ABABBccX)

Lauda Poet:

Niccolò Fabbroni

Notes:

note: see ‘Come d’un sol’ as cc. M365 lists this as lauda by Fabbroni, but/w 1st line identical to the Ottonaio’s Carnival song of the ‘soppiattoni’ (‘Come d’un sol’).

Music Sources:

Cantasi Come Sources:

M365

Read more about modo proprio

modo proprio

Language:

Lauda:

Io sento al cor conforto
CapQ (ABBc CDDe EFFg..)

Lauda Poet:

Serafino Razzi

Notes:

note: music & text ed. Mancuso, 368-70. Lauda re. St. Cecilia. See ‘Io sent al cor’ as cc., with related settings linked to to other texts. Razzi states that this was his first lauda, written while he was still a novice at San Marco, where he took his habit in 1549.

Music Sources:

Rz1563 (a2)

Cantasi Come Sources:

M365

Read more about modo proprio

modo proprio

Language:

Lauda:

Dolce, felice, lieta notte-a
CapQ:7/5 (ABBc CDDe...)

Lauda Poet:

Serafino Razzi

Notes:

note: Nativity lauda. RostirollaB, 697-8. Text & music of Rz1563 ed. Mancuso, 441-3; facs. of Anim1577 in RostirollaTL, 29. Rz1563, transmits only the cantus part, and this is a contrafactum of Pesenti’s frottola, ‘Tu te lamenti a torto’ (the cc. given in RC395); the 8-measure setting of a sing quatrain is ed. in CesariLF, no. XLVII. There are vague similarities between the cantus melodies of the Roman (Anim1577,1583/3, 1589/2) and Razzi (a1) versions. Unrelated in text or music to Verdelot’s setting of Machiavelli’s canzona, ‘O dolce nocte’.

Music Sources:

Cantasi Come Sources:

M365

Rz1563

Read more about modo proprio

modo proprio

Language:

Lauda:

Angelo mio diletto che mi sei-b
Ca2/4:8/10/7 (abab XX cdcd..)

Lauda Poet:

Serafino Razzi

Notes:

note: see ‘Jesù sommo conforto’ as cc. for musical settings.

Music Sources:

Cantasi Come Sources:

M365

Read more about modo proprio

modo proprio

Language:

it-carn

Lauda:

Peccatori Maria noi siamo-a
BaMn2/8:8 (xx ababbccx)

Lauda Poet:

Clemente Pandolfini?

Notes:

note: music & text ed. Mancuso, 523-9, who attributes the poem to Pandolfini. Almost certainly a contrafactum of a carnival song, which MaceyB, 56-7 proposes to be Michele da Prato’s ‘Pescatori a lenza siamo’ (Canzona de’ pescatori); ed. SingletonCC, 386-9. However, the lauda ‘Alla morte horrenda’ is linked to two cc. sources, ‘Peccatori noi siamo Maria’ and the carnival song ‘Temporal fuor di natura’, an indication that Rz1563 may preserve the music not for the carnival song suggested by Macey, but for ‘Temporal fuor di natura’, the ‘Canzona degli uomini d’arme’ (text ed. SingletonCC, 21-2).

Music Sources:

Rz1563 (a3)

Cantasi Come Sources:

M365

Read more about modo proprio

modo proprio

Lauda:

Occhi miei di lagrimare/non restate-a BaG4/6:8 (xyyx ababbx)

Lauda Poet:

Castellano
Castellani

Notes:

note: see ‘Occhi miei’ as cc. Lauda re. vanitas. CattinCC, 212-13, where he speculates that it was common to designate as modo proprio a cc. of identical or similar incipit, in this case a frottola. The original model (and source of music) for Castellani’s lauda may be the anon. barzelletta ‘Occhi mia di lacrymare’ transmitted in BML Antinori 158 (text only), and BL.Eg3051 & M121 (text and music). The incipit in M121 is ‘Ochi ormai di lacrimare’; BlackburnTCS, 150.

Music Sources:

Ferr84

BL.Eg3051

M121

Cantasi Come Sources:

M365

R196

RC395