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O anima accecata che non trovi -a BaMn2/8:7/5/6

Poet:

Feo Belcari

Language:

Lauda:

Divo Bernardo miro
8:7/11 (ababbCCX)

Lauda Poet:

suor Tomasa Martelli

Notes:

note: See MaceyB, 55, 138-9. Since R2988 gives only ‘O anima accecata’ as a cc. incipit, it is not clear whether Belcari’s ‘O anima accecata che non trovi’ or the anon. ‘O anima accecata tu vai per mala via’ served as the immediate model for ‘Divo Bernardo’ and 2 other laude in this source. Belcari’s lauda is also widely transmitted in the cc. sources with a cc. title of the carnival song ‘Siamo stati in Firenze’ (the ‘Canzona del’Orso’).Rz1563 setting of ’O anima’ ed. Mancuso, no. 27.

Music Sources:

Rz1563 (a2)

Cantasi Come Sources:

R2988

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Nunquam fuit---see Nunca fue pena

Music Sources:

Cantasi Come Sources:

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Nunca fue pena mayor Cancion 4:8 (abab cdcd abab)

Poet:

Don Garcia Alvarez, Duke of Alba

Language:

Composer:

Johannes
Wreede?

Lauda:

Non fu mai pena maggiore
6:8 (abbaac cddcce ...)

Lauda Poet:

Francesco d’Albizo

Notes:

note: FallowsCat, 624-5; CattinCI, 431-2 (with comparison of Spanish & Italian texts); RubsamenLS, 16-17. Survives in four different versions and lute tablature (c. 19 extant sources); the most popular of all 15thc. songs. Music ed. in StevensonC, 228 (CMC); IMM/iv, 28 (Pix); HewittO, 226 (Odh version w/added voice); ed. & discussed in PerkinsMAR, 492-4 (see FallowsCat, 624 for further editions). Music adapted by Tromboncino as a macaronic barzelletta (‘Nunqua[m] fu pena maggiore’; in PetF/iii & Bas2441, ed. CesariLF, 136), and T & D voices cited in a number of other compositions. Cited in Italian (esp. Florentine) sources with Latin version of incipit, ‘Nunquam fuit pena (poena) maior’. In LA424, lauda sent to ‘Francesco miniatore’; cc. = ‘Nunquam fu pena maior’.

Music Sources:

Cantasi Come Sources:

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Non son più innamorato

Language:

Lauda:

O peccatore ingrato per te-b
BaMz (xyX aBaBbcX)

Lauda Poet:

Feo Belcari

Notes:

note: see CattinR, no.95. Alternate cc. = ‘La pueril bellezza’, ‘Più bel viso che’l sole’ (all 3 in M690 & R196). Lauda differs from ‘O peccatore ingrato contempla’ (R2896), & three laude with a similar incipit in Ch266.

Music Sources:

Cantasi Come Sources:

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Non so perché si sia-g

Language:

Lauda:

Non so per qual folia
BaMz (xyX AbAbbcX)

Music Sources:

Cantasi Come Sources:

Ch266

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Non so perché si sia-f

Language:

Lauda:

Non so, anima mia
BaMz (xyX AbAbbcX)

Lauda Poet:

Bernardo Giambullari

Notes:

note: cc incipit in Gall4 = ‘Neu so’

Music Sources:

Cantasi Come Sources:

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Non so perché si sia-e

Language:

Lauda:

Mort’ è l’anima mia-a
BaMz (xyX AbAbbcX)

Lauda Poet:

Feo Belcari

Notes:

note: CattinR,33. Full cc. incipit in M690 reads: ‘Non so perché si sia/signor a questa volta’.

Music Sources:

Cantasi Come Sources:

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Non so perché si sia-d

Language:

Lauda:

Madre di Dio beata-b
BaMz (xyX AbAbbcX)

Music Sources:

Cantasi Come Sources:

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Non so perché si sia-c

Language:

Lauda:

Laudiamo il precursore/santo Giovambatista-b BaMz (xyX AbAbbcX)

Notes:

note: lauda re. St. John the Baptist

Music Sources:

Cantasi Come Sources:

A160

M365

Read more about Non so perché si sia-c

Non so perché si sia-b

Language:

Lauda:

Io ti vorrei trovare Jesù amore-c
BaMz (XyX aBaBBcX)

Music Sources:

Cantasi Come Sources:

Ch266

Read more about Non so perché si sia-b

Non so perché si sia-a

Language:

Lauda:

Chi corre a te Maria
BaMz (xyX AbAbBcX)

Notes:

note: The Florentine collection of canzone a ballo, Rome, Biblioteca Angelica 2435 (pp. 89-90), transmits a ‘Non so perchè si sia/signori a questa volta’ with the following form: BaG:5/7/11 (xy[yx] AbAbbc[c]x (5-syllable lines in brackets) that could be adapted to the BaMz form of most of the laude paired with this cc. On the transmission of this poem in 16thc. sources, see BrancaP, 400, 413, 417.

Music Sources:

Cantasi Come Sources:

A160

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Non più guerra ch’i’ m’arrendo BaG4/6:8 (xyyx ababbx)

Poet:

Castellano Castellani

Language:

Lauda:

Ma’ più bene aver comprendo
BaMz3/6:8 (xyy ababbx)

Notes:

note: RostirollaB, 725. Gall4 & related sources also transmit Castellani’s lauda ‘Non più guerra ch’i’ m’arrendo’ along with a (probably) secular cc., ‘Non più guerra’. See CattinCC,194.

Music Sources:

Anim1570

Cantasi Come Sources:

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Non più guerra

Language:

Lauda:

Non più guerra ch’i’ m’arrendo
BaG4/6:8 (xyyx ababbx)

Lauda Poet:

Castellano
Castellani

Notes:

note: CattinCC,194; RostirollaB, 725. Cc. incipit apparently alludes to a different and probably secular poem.

Music Sources:

Anim1570

Cantasi Come Sources:

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Non mi parto per lassarti BaG4/6:8 (xyxy ababby)

Language:

Lauda:

O benigno creatore
BaG4/6:8 (xyyx ababby)

Notes:

note: MaceyFS, 357. 4-voice setting of cc. text in BR230, fols. 72v-73r: ‘Non me parto per lassarte’.

Music Sources:

BR230

Cantasi Come Sources:

M365

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Non mi lassare mai più-b

Language:

Lauda:

Mai riposo alcun non ha Jesù-b
BaG4/6:7/8 (xyyx AbAbbx)

Notes:

note: alternate cc. (and original text for the music in Rz1563) = ‘La virtu si vuol seguire’, with music a4 in M121, P676, & Panc27. Rz1563 version ed. Mancuso, no. 6.

Music Sources:

Rz1563

Cantasi Come Sources:

CS1547

Read more about Non mi lassare mai più-b

Non mi lassare mai più-a

Language:

Lauda:

Porgimi aita tu-b
BaMn:5/6 (xx abab)

Notes:

note: ‘Non mi lassare’ also a cc. for ‘Mai riposo alcun’, with music a4 in Rz1563.

Music Sources:

Cantasi Come Sources:

CS1547

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Non ha il ciel [cotanti lumi] 6:8 (aabbcc ddeeff...)

Poet:

Ottaviano Rinuccini

Language:

Composer:

Giulio Caccini

Lauda:

Non Aprile erbette, e fiori
6:8 (aabbxx ccddxx...)

Notes:

note: BecheriniCat, 12, 32. Text and music ed. H. Wiley Hitchcock, Nuove musiche e nuova maniera di scrivere (1614), Madison,WI, A-R Editions 1978, no. 21.

Music Sources:

BNF

Mgl.XIX.30

Mgl.XIX.66

Cantasi Come Sources:

CS1547

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Non credo che mai più sia-c

Language:

Lauda:

Vergine immaculata
Qr:7 (abba cddc...)

Music Sources:

Cantasi Come Sources:

R2896

Read more about Non credo che mai più sia-c

Non credo che mai più sia-b

Language:

Lauda:

O regina in ciel Maria
Qr:7 (abba cddc...)

Lauda Poet:

Francesco d’Albizo?

Notes:

note: the lauda is a different poem from d’Albizo’s widely diffused ‘O regina in ciel Maria/tutti ti vogliam pregare’ (BaG:8), the latter of which has a modo proprio, and c c. = ‘Signor nostro da Pavia’.

Music Sources:

Cantasi Come Sources:

R2896

Read more about Non credo che mai più sia-b

Non credo che mai più sia-a

Language:

Lauda:

O degna imperadrice
Qr:7 (abba cddc...)

Notes:

note: lauda re. nativity of BVM

Music Sources:

Cantasi Come Sources:

R2896

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