note: the cc. line forms a refrain at the end of several verses of the song ‘Angiola tu mi fai/cantando, a te, venire’ in RA2435, pp. 112, but the form of this poem (7:7 [ababxx]) does not match the lauda. The cc. incipit appears not to refer to Bartolino da Padova’s setting of the ballata text, ‘Ama che t’ama e sempre abona fe’.

note: alternate cc.= ‘canti di ghalea quando si vogha’

noe: lauda is possibly the ‘O vergine Maria, guarda la tua Fiorenza’, which is a cc. for a different lauda, or ‘O vergine Maria/chiunche ti vuole amare’ in Gall4 (BaG:7), also transmitted in R2929 (compiled by 1448).

note: alternate cc. = ‘Sybille sian di pudicitia ornate’

note: D’AnconaPP, 480 proposes that cc. might be ‘Vidila in un giardino ch’ella s’andava’. Text of ‘Maria dolce’ ed. Luisi, i, 306-8 (‘Madre dolce che fay’); it is an older text, found in (probably) pre-15thc. laudarios like BML, Ashburnham 423, fol. 183, and often attributed to Jacopone da Todi.

note: alternate cc. = ‘Era tutta soletta’. The text of the cc., a lauda, can be found in R2929, 82v, a ms. copied by 1448.

note: Lauda rubric in Rs424: ’lauda de’ Magi adoranti Christo...cantasi come il canto de’ soppiactoni [soppiattoni].’