note: 2nd line of cc. reads ‘...cavalcar per lo Bresciano’ [‘brescian’, M690]; ‘Chi vede’l carmignuola cavalcare’ (LA480). D’AnconaPP, 479; see also p. 56, where D’Ancona gives the first two lines as: ‘Che vedesse il Conte Carmignola/Cavalcar per lo bresciano’. D’AnconaPP, 56 suggests that the cc. circulated in Florence around 1426, when Florentines were at war in Lombardy.

note: see alternate cc. ‘Chi guasta’ for possible musical settings in CortP & M164-7. Lauda title recorded only in the index of R2224, and cc. link is tentative, though likely given that all the laude in this ms. were apparently intended for singing.

note: D’Ancona, 479. Text ed. in CarducciCBSM, 331-2.

note: Ch266 variant lauda title: ‘Io m’ero adormentata’, and variant endings in both cc and lauda titles: ‘m’ero/a, adormentato/a. Lauda in R2929 (copied by 1448), the 2nd line is ‘e nel pechato forte e la mortale’.

note: although the incipits of lauda and cc. are identical, the cc. is probably a secular model, neither the text nor music of which has survived.

note: alternate cc. = ‘Purità Dio ti mantenga’, ‘Galantina amorosina’