note: The Florentine collection of canzone a ballo, Rome, Biblioteca Angelica 2435 (pp. 89-90), transmits a ‘Non so perchè si sia/signori a questa volta’ with the following form: BaG:5/7/11 (xy[yx] AbAbbc[c]x (5-syllable lines in brackets) that could be adapted to the BaMz form of most of the laude paired with this cc. On the transmission of this poem in 16thc. sources, see BrancaP, 400, 413, 417.

note: cc. title is probably a misspelling of ‘Occhi miei di lagrimare’, the cc. title for this lauda in M365 and RC395.

note: Gall2, Pal117, et al. attribute the lauda to d’Albizo, but it is not to be found in the authoritative d’Albizo source, LA424. Cc. identified as a carnival song in D’AnconaPP, 481.

note: see lauda ‘Signor Jesù quando sarò io mai’ (cc. ‘La vampeggia’), with settings of the lauda text in Grey, Ferr84, & Rz1563 that may constitute original music of ‘La vampeggia’. Cc. title may refer to ‘Do che è quel che dentro a me vampeggia’, a cc. for 3 different lauda which share the same form and rhyme scheme with the laude for which ‘La vampeggia’ is the designated cc.

note: Cc. text transmitted in BNF, Palatino 213, fol. 120v, where it appears to be a BaMn missing its refrain. It is considered to be among the authentic secular works of Giustinian; BillanovichP, 242; ed. Wiese, 249-52.

note: a fragment of ‘Gloria, honore’ recurs in R2896 w/incipit ‘Laude, honore e diletto...’; complete version in R2896 shows additions & corrections. A lauda in Gall4 (p. 284) with incipit ‘I’ ti vorrei trovare, o Signor mio/sempre t’andró cercando’ is a BaMz. Cc. text entered in R2929, which was copied by 1448.

note: lauda re. St. Anne