Gamb206

Da che tu m’hai Iddio il cor ferito-f BaG:11 (xyyx ababbccx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Diva gemma del cielo alma puella-b BaG:11 (xyyx ababbccx)

Lauda Poet: 

Antonio di Guido

Music Sources: 

modo proprio

Language: 

it

Lauda: 

Dir pur cosí vorrei-b
BaG:7 (xyyx ababbccx)

Lauda Poet: 

Antonio di Mariano Muzi

Notes: 

note: see also ‘L’amor a me venendo’ as cc for ‘Dir pur’, though the Gall2 rubric seems to indicate that the modo proprio setting of this lauda is independent of the music for ‘L’amor a me venendo’.

Quanto sono in stà cittade-a Qr:8 (abbc cdde effg..)

Language: 

it

Lauda: 

Deh venitene pastori a veder-b
Qr:8 (abbc cdde effg...)

Lauda Poet: 

Lucrezia Tornabuoni

Notes: 

note: cc. text tranmitted in LAD759, fol.327, Filippo Scarlatti’s autograph ms., where it is labeled a ‘chanzona ciciliana’; also a cc. for Scarlatti’s lauda, ‘Quanto sono in verde etate’ (fol.382, dated 1470/1), with poetic form CapQ:8 (abbc cdde effg..). See FerraraV, 7; PasquiniFS, 427, 438, 538, 567. For biblography on the lauda, see ‘Deh venitene’ as a cc. The music preserved in Rz1563 is a simple, homophonic 3-part setting with a popular tone that suits the cc. text perfectly, and is probably some version of the original music for this text; ed. Mancuso, 382--3, and first two quatrains of cc. text ed. in D’AnconaPP, 491.

Music Sources: 

Deh sappiatevi guardare,o garzon

Language: 

it

Lauda: 

Deh sappiatevi guardare da cattive compagnie-b BaG:8 (xyyx ababbccx)

Lauda Poet: 

Piero or Antonio di Mariano Muzi

Notes: 

note: Ch266 version = ‘Sappiatevi guardare, giovani’ (perhaps a different lauda); most readings transmit ‘Deh, sappiatevi guardare, o garzon, di non tor moglie’. On relation to ‘Ora mai’ complex of Florentine youth confraternity laude, see WilsonHM.

Conosco ben che pel peccato mio-a BaMz (XYX AbAbBCX)

Poet: 

Francesco d’Albizo

Language: 

it

Composer: 

Ser Firenze

Lauda: 

Con somma reverenza sia laudato
BaMz (XYX AbAbBCX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: MaceyB, 54, 58, 116 n.54; WilsonSC, 91. Text & music of cc. ed. Mancuso, 721-30. Cc = ‘Et ha modo proprio molto bello facto da Ser Firenze prete’ (Rs424; similar in Gall2). Cc. attr. to Jacopone da Todi in some sources; see D’AnconaPP, 479. In LA424, rubric indicates the lauda sent to ‘Maestro Giovanni Carlli [Caroli], frate in Sancta Maria Novella (on Caroli & music, see WilsonHM, 286-8, & MaceyB, 20, 92). ‘Con somma’ re. St. John the Baptist.

Music Sources: 

Laudate il sommo Dio-a BaMn (xX ABABbX)

Lauda: 

Con giubilante core
BaMn (xX ABABbX)

Lauda Poet: 

Don Antonio da Siena ingesuato

Notes: 

note: cc. also ‘Laudate’ as cc. for ‘Cristo ver’, w/music in Rz1563, ed. Mancuso, 416-20. The secular text, ‘Perchè son io si bella’, that serves as a cc. for ‘Laudate il sommo Dio’, may be the original text for the music preserved in Razzi.

Music Sources: 

Perché l’amor di Dio tanto mi tira--e Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Chi vuol andar per santa e retta via-a BaMn:11 (xx ababcc)

Music Sources: 

I’ son l’angel buon di Dio-a BaG:8 (xyyx ababbccx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Chi si vuol col core unire-b
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: see ‘I’ son l’angel’ as a lauda, also.

Music Sources: 

Lasso quanto son io

Language: 

it

Lauda: 

Chi ‘l paradiso vuole-a
BaMz (xyZ aBaBbcX)

Lauda Poet: 

Gherardo d’Astore

Notes: 

note: music and text of lauda ed. in Mancuso, 743-8. The setting in Rz1563 may preserve something of the original music belonging to the cc. text.

Music Sources: 

Perché l’amor di Dio tanto mi tira--d Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Chi dell’ inferno vuol fuggir
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: lauda re. Mary Magdalen. In LA424, sent to ‘Don Ghido [Guido] monaco in cestello [San Frediano in Cestello?].

Music Sources: 

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