Gamb206

note: Carboni-ZiinoLM, 281. In LA424, sent to ‘Monache di Sancta Chiara’ (with variant first line, ‘[O] Sancta Chiara, vaso di fervore’).

note: in LA424, lauda sent to ‘Fra Domenico Ricci in Santa Maria Novella’.

note: Newbigen cites a ‘delightful miracle play of the Three Pilgrims (‘tre pellegrini’) who went to [St. James’] shrine in Galicia’, Piety and Politics in the Feste of Lorenzo’s Florence”, in Lorenzo il Magnifico e il suo mondo, ed. G.C. Garfagnini, Florence, Olschki 1994), 38. The cc. incipit also suggests that this may have been a carnival song.

note: ‘O lasso amme tapino’ is sometimes the cc., as for ‘Venga ciascun’ in Gall1. Lauda text survives from late trecento sources.

note: lauda re. St. Zenobius

note: CattinRP, 388-9 (where he notes the existence of ‘twin’ poems by Poliziano with the same incipit: ‘I’ seminai il campo e altri miete’, and ‘I’ seminai il campo, un altro miete’); D’AnconaPP,484.

note: lauda text entered in R2929, which was copied by 1448.

note: lauda ‘contra agli Ebrei’, by Maestro Giovan Battista medico della Barba. Lauda consists of strophes linked to two previous laude in Gall2, ‘Eran pastori’ & ‘Vidi virgo Maria’, which share rhyme scheme and cc. models. Presumably the refrain of ‘Vidi virgo Maria’ serves also the strophes of the subsequent two laude that follow in all sources, and seem to be additions (‘aggiunta’) to ‘Vidi virgo Maria’.

note: FallowsCat, 624-5; CattinCI, 431-2 (with comparison of Spanish & Italian texts); RubsamenLS, 16-17. Survives in four different versions and lute tablature (c. 19 extant sources); the most popular of all 15thc. songs. Music ed. in StevensonC, 228 (CMC); IMM/iv, 28 (Pix); HewittO, 226 (Odh version w/added voice); ed. & discussed in PerkinsMAR, 492-4 (see FallowsCat, 624 for further editions). Music adapted by Tromboncino as a macaronic barzelletta (‘Nunqua[m] fu pena maggiore’; in PetF/iii & Bas2441, ed. CesariLF, 136), and T & D voices cited in a number of other compositions. Cited in Italian (esp. Florentine) sources with Latin version of incipit, ‘Nunquam fuit pena (poena) maior’. In LA424, lauda sent to ‘Francesco miniatore’; cc. = ‘Nunquam fu pena maior’.