Inc34

note: CattinR, no. 67. Music & text of cc. ed. Mancuso, 743-8. Alternate cc. = Giustinian’s ‘Poi ch’i aggio perduta’.

note: See CattinNF, 202. See ‘I’ vedo ben’ as cc. for ‘Ave del cielo’ & ‘Salve regina di misericordia’ for possible musical settings associated with ‘Ave tempio’ (an Ave Maria acrostic). Settings of Belcari’s text ed. CattinG, no.26 & LuisiLG, ii, 152-3 (Grey, but w/cc text underlaid as well); JeppesenL, 136-7 (PetL/i). Different music in each source. Razzi transmits music with text ‘Lodate fanciulletti’in suon’e canto’ (the 1st tercet of which uses the same rhymes as ‘Ave tempio’), followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’), all in the form of CapT:11. Belcari’s ‘Ave Maria acrostic and Salve Regina pair are probably modeled on a very similar pairing by Giustinian; see LuisiLG, i, 356-7.

note: see ‘I’ vedo ben’ and ‘Lodate fanciulletti’ (as cc. for ‘Ave del cielo’ & ‘Salve regina di misericordia’) for musical settings associated with ‘Ave tempio’ (an ‘Ave Maria’ acrostic). Lauda probably = ‘Ave del verbo eterno genitrice’, which is the standard Ave Maria paraphrase paired with the Salve Regina in most Belcari mss. (incl. M690); see CattinR, no.60.

note: Giustinian text ed. Wiese, 385f. See Belcari’s lauda ‘Salve regina’, with musical settings in Grey, Rz1563, & PetL/i, for possible musical settings of ‘Ave del verbo/cielo’. Giustinian’s poem is briefly discussed in HaarE, 33.

note: carnival song, ‘Canzona de’ Fornai’. Text ed. BruscagliTCC, i, 24; OrvietoCC, 76-7 (ca. 1474-78).

note: carnival song, ‘Canzona del Fagiano’ (‘El fagiano’ in Gall3); text ed. SingletonCC, 130-1; BruscagliTCC, ii, 438. Lorenzo’s lauda text is ed. in ToscaniL, 79-83, and in DucciniL, 162-72, with extensive commentary.

note: on Lorenzo’s text and its musical settings, see RubsamenQ, 163-84. Carnival song--Canzona delle Forese; text ed. BruscagliTCC, i, 15. Lorenzo’s lauda text ed. ToscaniL, 84-7 (on p. 33 he suggests it was composed in 1491), and in DucciniL, 172-9, with extensive commentary. See ‘Quant’è grande‘ as cc. and as modo proprio for bibliography re. editions, etc.

note: carnival song--’Canzona delle Cicale’ (= cc. title in Gall3). BruscagliTCC, i, 21; OrvietoCC, 78-9 (ca. 1474-78). SingletonCC,117, transmits a different, anonymous ‘Canzone delle Cicale’, w/ the incipit ‘Fuor cicale in malora, fuor cicale!’, which does not formally match Lorenzo’s lauda text. 4vv. setting of lauda text in PetL/i (Dammonis), ed. in LuisiLG, ii, 336. Lorenzo’s lauda ed. in ToscaniL, 95-8, and in DucciniL, 195-202, with extensive commentary.

note: see ‘Amore io vo fuggendo’ (w/music in M121 & ModF.9.9) as cc. for ‘Vieni a me peccatore’.

note: cc. probably a carnival song, and though possible candidates are Guglielmo Angiolini’s Trionfo del Lauro (’Pose natura ogni cosa mortale’; SingletonCC, 223) and Antonfrancesco Grazzini’s ‘Canto de’ Poeti’ (‘L’abito nostro, donne, e la corona/ch’abbiam d’alloro..’; ed. SingletonCC, 419), neither is a good match formally with Marzocchini’s lauda.