Pal117

note: alternate cc. = ‘Ora mai sono in età’.

note: alternate cc. = ‘Ferrivecchi, ramivecchi’. PetL/i preserves setting of Belcari’s lauda, ed. JeppesenL, 145.

note: alternate cc. = ‘Ora mai sono in età’, ‘I’son l’angiol buon di Dio’

note: alternate cc. = ‘O crocifisso’

note: RostirollaB, 716 (‘Laudate Dio’). Version in the Roman sources is an arrangement by Animuccia of the traditional Carnival song melody and Florentine lauda text; facs. in RostirollaTL, 34.

note: alternate cc. = ‘Che fai qui core’ (LCS161). Lucrezia’s lauda predates her death in 1482.

note: lauda re. S. Geronimo [Girolamo]. Rz1563 transmits 2 musical settings, both underlaid with text of ‘Ecco’l Messia’; ed. Mancuso, nos. 9-10. ‘Con umil core’ attr. to d’Albizo in Gall2, Belcari in R196, but probably d’Albizo’s by virtue of its inclusion in LA424. In LA424, lauda sent to ‘Fra Girolamo jhesuato’. Though the the lauda is attributed in some sources to Belcari, it appears in an authoritative d’Albizo source (LA424) and is not included in Belcari’s laudario (M690).

note: lauda re. nativity. Lucrezia (Lorenzo de’ Medici’s mother) died in 1482, so this and all other laude by her were written by this time.

note:d’Albizo’s lauda- ‘Lauda della epiphania de’ magi’; in LA424, lauda sent to ‘Lorenzo prete di Santo Tommaso’ (crossed out; added in same hand: ‘al Magnificho Lorenzo de’ Medici’). Magi festivals in Florence were closely associated with the Medici since the time of Cosimo.