Q21

note: JeppesenF, ii, 223; Fenlon/HaarIM, 141 (concordant sources); Lincoln, 688. 1530/1: ‘Fidel e bel cagnolo’.

note: Lauda re. circumcision. Lauda may be related to Savonarola’s ‘Jesù sommo diletto e vero lume’ & Belcari’s ‘Jesù dolce conforto e sommo bene’ (& their musical setting), or may be erroneous version of Castellani’s incipit,‘Jesù sommo conforto e vero amore’, w/music in Rz1563

note: Carboni-ZiinoLM, 283. Lauda re. Sant’Agnese.

note: Fenlon/HaarIM, 141 (Verdelot), and 305 & 324 for two other anonymous, early settings; (Lincoln, 693 & 888, where he notes later settings by Marenzio & Lambertini). Music ed. OwensSM, xxx, 122-124.

note: Fenlon/Haar, 140 (concordant sources); JeppesenF, ii; Lincoln, 693 (incipits).

note: JeppesenF, ii. Text of cc. is possibly by G.B. Strozzi il vecchio; see CarboniInc/298, no. 9560. Though the cc. cannot refer to madrigal settings with this incipit from the 1590s by Ingegneri and T. Riccio, it is possible given the frequency of madrigals as cc.s in M365 that the incipit refers to an earlier madrigal.

note: see ‘Vergine bella’ as a lauda with a modo proprio setting for bibliography.