R196

note: carnival song, ‘Canzona del Fagiano’ (‘El fagiano’ in Gall3); text ed. SingletonCC, 130-1; BruscagliTCC, ii, 438. Lorenzo’s lauda text is ed. in ToscaniL, 79-83, and in DucciniL, 162-72, with extensive commentary.

note: carnival song--’Canzona delle Cicale’ (= cc. title in Gall3). BruscagliTCC, i, 21; OrvietoCC, 78-9 (ca. 1474-78). SingletonCC,117, transmits a different, anonymous ‘Canzone delle Cicale’, w/ the incipit ‘Fuor cicale in malora, fuor cicale!’, which does not formally match Lorenzo’s lauda text. 4vv. setting of lauda text in PetL/i (Dammonis), ed. in LuisiLG, ii, 336. Lorenzo’s lauda ed. in ToscaniL, 95-8, and in DucciniL, 195-202, with extensive commentary.

note: see ‘Amore io vo fuggendo’ (w/music in M121 & ModF.9.9) as cc. for ‘Vieni a me peccatore’.

note: cc. probably a carnival song, and though possible candidates are Guglielmo Angiolini’s Trionfo del Lauro (’Pose natura ogni cosa mortale’; SingletonCC, 223) and Antonfrancesco Grazzini’s ‘Canto de’ Poeti’ (‘L’abito nostro, donne, e la corona/ch’abbiam d’alloro..’; ed. SingletonCC, 419), neither is a good match formally with Marzocchini’s lauda.

note: on Lorenzo’s lauda, see DucciniL, 120, 156-62 (text edited with extensive commentary); ToscaniL, 76--8 (ed. of text).

note: lauda author = Fra Pietro Antonio di Santa Maria Novella; alternate cc. = ‘Ora mai sone in età’.

note: FallowsCat, 551; CattinNR, 232. Music ed. in PopeM, 506-7, text and discussion on 658-9 (MC). Acc. to PopeM, 658, cc. possibly related to ‘Tyempo bueno, tyempo bueno’ of Matteo Flecha the elder.

note: D’AnconaPP, 480. Carnival song, ‘Canzona del Trionfo della Pudicizia’; text ed. SingletonCC, 63-5.

note: See CattinS, 271-3. Cc. refers to Belcari’s Rappresentazione d’Abramo e Isacco, 1449, and alternate cc. of ‘ballo’ & ‘gli strambotti’ may be part of a single cc. indication, and may refer to one of the melodic formulas used to recite Florentine strambotti. The lines appear in the play at the moment when Isaac descends from (not ascends) the mountain (lines 393-408 in Belcari’s play).

note: in LA424, lauda sent to ‘Jacopo di Luigi de’ Morsi’.