R196

note: CattinR,35

note: ‘Signore a questa volta’ is the 2nd line of the poem ‘Non so perchè si sia’, a cc. for Belcari’s ‘Mort’ è l’anima mia’ and many other laude besides, and so probably does not represent a title separate from that of ‘Non so’.

note: cf. ‘Giù per la villa lunga’ as possible original secular model, of which the cc. incipit is the third line. Lauda copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL, 46 (with facsimile). The remainder of the cc. incipit in some sources (e.g., M1083) is ‘trovo il figliuol mal’.

note: ‘L’erba buona’ is usually linked with ‘Ferrivecchi’ as cc. for ‘L’orazione’ (and Belcari’s ‘Chi vuol pace’).

note: see CattinR, no. 64. In R196, cc. = ‘Lacrimoso, afflitto, e stanco’. The incipit of the 2nd stanza of Belcari’s lauda reads ‘Lacrimoso, afflitto e stanco/vengo innanzi al tuo conspetto’.

note: CattinCC, 206; CattinR, 25. Music & text ed. Mancuso, 648-54. Lines 1,3, & 8 of each stanza are in Latin, from the psalm ‘Plorans ploravit’, each forming a terzina that rhymes aax.

note: CattinCC, 200

note: CattinR, no.141. Similar incipts in ModF.9.9 (‘Vedendo gli ochi mei la sepultura’, 98v-99r) and Per431 (‘Vederà l’occhi mei la sepultura’), and idential rhyme schemes and poetic form point to the versions in these sources as the correct cc. models for this lauda. The cc. sources agree on ‘Vedranno’. Music ed. Hernon, 406 (Per431, a4); La Face/BianconiGS, 361-2, & text ed. 218-19 (ModF.9.9); in her discussion of this strambotto on 114-17, she identifies the work as originating in Neapolitan circles, and cites variants among Neapolitan, Roman-Tuscan, and Paduan sources that demonstrate the works wide diffusion and its roots in oral tradition.

note: CattinCC,192; JeppesenF/ii,162; iii,153 (text); Carboni-ZiinoLM, 302; BridgmanM,196-7. Music ed. JeppesenF/iii, 264-5. P676 version lacks Ct. Cattin notes similarity to incipit in PetF/iii & PetF/v--’Prendo l’arme, amore ingrato’.