Anim1577

note: alternate cc. for Fabbroni’s lauda is the frottola ‘Tu te lamenti a torto’.

note: CattinCC, 214-15; RostirollaB, 744 (‘Quanto è stolto’); RostirollaLC, 781, 834 (‘Io ti lascio’). Alternate cc. = ‘Giovanetti con fervore’, in turn linked to ‘Ora mai’ music. Music in Anim1577 for ‘Io ti lascio’ and ‘Giovanetti’ adjacent, but different, and neither resembles traditional music of ‘Ora mai’ complex.

note: CattinCC, 215, suggests that d’Albizo’s youth confraternity lauda is a parody of the cc., the ‘Canzona delle vedove e de’ medici’, ‘Deh maestri con fervore’; text ed. SingletonCC, 79-80. However, in the absence of a specific mention of this link in the sources, and given the difference in poetic forms, a more likely candidate as d’Albizo’s model is another carnival song, ‘Giovanetti con fervore/non vogliate più indugiare’ (see this title as a cc.); ed. and discussed in PrizerP.

Note: cc. incipit suggests a carnival song with the 8-syllable lines of a barzelletta.

note: on alternate cc. for ‘Giovanetti’, see WilsonHM.

note: lauda re. San Vincenzo. Razzi’s ‘Levate su sorelle’ & ‘Leviam’i nostri cori’ clearly linked to music of ‘Levate su pastori’, but Razzi also indicates that his ‘Oggi lieto e giocondo’ is to be sung to the music of ‘I’ sent’al cor conforto Cecilia gloriosa’ (fol. 31v; a2--cantus possibly related to that of ‘Levate su pastori’).

note: see ‘Leviam’i nostri cori’ as cc.