M365

note: Razzi rubric reads ‘cantasi come Tre ciechi siamo’, but provides the music with the lauda text underlaid. Text & music ed. Mancuso, 641-7. In fact the music is from a group of villote alla napolitana that Razzi mined for his lauda settings. ‘Tre ciechi siamo’ was included in da Nola’s Canzone villanesche alla napolitana (Venice, 1545); see MaceyB, 57-8. GhisiCC, 99 lists this pair of titles among his carnival songs with travestimenti spirituali.

note: M365 incipit = ‘Da’ dolci campi Elisei’. Lincoln, 31; EinsteinIM, i, 160, where Einstein prints the text of the madrigal, and assigns the madrigals of Arcadelt’s third book to his years in Florence (c. 1532-7?). See also Fenlon/HaarIM, 151 (concordant sources), and 62, where it is suggested that this madrigal may have been a part of the theatrical music for a performance of Lorenzino de’ Medici’s L’Aridosio at the wedding festivities for Alessandro de’ Medici in 1536. Music ed. SeayJA, iii, no. 17.

note: MaceyFS, 360-61, where he compares the two texts (ed. on 370); Fenlon/HaarIM, 151. In 1555, Palestrina published a setting of a possibly related text, ‘Lontan della mia diva’.

note: Fenlon/HaarIM, 152 for concordant sources, and attrib. to Festa, though it cannot be found among the edited complete works of either composer.

note: EinsteinIM, i, 274 (cc. text ed.); Fenlon/HaarIM, 151; Lincoln, 32 (madrigal), where the incipit is ‘Deh fuggite o mortali’. Music ed. SeayJA, ii, no. 4.

note: Fenlon/HaarIM, 172 (concordant sources). Music ed. OwensSM, xxx, 5-13.

note: music ed. in D’AcconeMFR, iv, no. 43; text ed. xvi. First published in Venticinque canzoni a cinque voci (Lyons, Moderne c. 1538). The lauda is possible identical with the ‘O Maria del ciel regina’ sung by nuns in Castellano Castellani’s Rapresentazione di Santa Eufrasia; BecheriniSR, 210.

note: Lincoln, 692; EinsteinIM, i, 248. Music ed. OwensSM, xxx, 43-47.

note: Lincoln, 169. Corteccia’s madrigal was published in the 1539 Venetian print that preserves the music for the wedding festivities of Duke Cosimo de’ Medici; see A. Minor & B. Mitchell, A Renaissance Entertainment: Festivities for the Marriage of Cosimo I, Duke of Florence, in 1539, Columbia, Missouri 1968, p. 67 (facs.), pp. 224-8 (ed.); see also EinsteinIM, i, 840-1. Music also ed. in EinsteinIM, iii, no. 96 (text, p. xxx).

note: EinsteinIM, 249. Music ed. EinsteinIM, iii, no. 17 (text ed. p. xv), and OwensSM, xxix, 120-123. According to JeppesenF, ii, incipits in the above music sources are ‘Ogn’ hor per voi sospir’, most likely a reference to Verdelot’s madrigal given the preponderance of Verdelot madrigals among the cc. indications in this source. Lincoln, 691.