M365

note: In Ferr84 cc. for ‘Occhi miei’ is = Castellani’s ‘Oimè, lasso, oimè, oimè’ (w/same melody for both). JeppesenF, ii; Carboni/ZiinoLM, 279; melody ed. 318.

note: music transmitted in Rz1563 with text ‘Io mi trovo’.

note: music transmitted in Rz1563 with text ‘Io mi trovo’.

note: Rz1563 provides music for ‘I’ mi truovo’, then indicates 5 laude that may be sung to this music: ‘Non si puo imaginar’, ‘Jubili tutto’l mondo al suo signor’ (Bettini), ‘Jubili tutto’l mondo al nascimento’ (Fabbroni), ‘Chi veder brama’, & ‘Ecco’l gran padre’. M365 lists ‘Jubili tutto’l mondo al suo Signore’ with no stated cc. (i.e. as modo proprio in this case), followed by 4 laude (all by Bettini) to be sung ‘come quella di sopra’: ‘Riscalda il verde prato’,’Ecco’l dominator’, ‘Venitene fratelli’, & ‘I’ mi truovo Jesù’. Presumably the music in Rz1563 that serves the texts of both ‘Io mi trovo’ and ‘Jubili tutto’l mondo...signore’ is in fact the music intended for these other texts in M365.

note: Music & text ed. Mancuso, 549-52, though the music in Rz1563 is in fact derived from the 4-part setting of ‘Tambur, tambur’, with music in M121, CortP, & BR337 (see as a cc. title). ‘Tambur’ & ‘Oimè’ both function as a cc. for the lauda ‘E’ ll’ardera, l’abrucera’.

note: Savonarolan lauda, w/rubric in M365: ‘nella morte de fra N. a modo proprio’. See MaceyB, 129-31 (w/translation, music, and CD recording). Music ed. MaceyS, 86 (text ed. & trans. liv-lv); Mancuso, 402-4.

note: music & text (of 1st strope) ed. Mancuso, 564-6, where he mistakenly indicates that, beginning with the 2nd stanza of this Christmas hymn (‘Nil canitur suavius’) the many subsequent stanzas of this hymn transmitted by Razzi on fols. 97v-98r constitute an ‘alternate text’. Razzi’s attribution of the hymn to San Bernardo is not generally accepted. The usual title is ‘Dulcis Jesu memoria’. The Latin text is transmitted in older laudarios, like BNF, Fondo Naz. II.IX.140, fol. 52v.

note: PrizerRC (text and music ed.), CattinCC, 213; GhisiCC, 67-70, w/music ed. 68. Sacred carnival song--Carro della morte, or Canzona de’ morti, attr. also to Antonio Alamanni; see SingletonCC, 238-9, BruscagliTCC,i, 57-88. Music ed. GallucciFFM, no.10; Mancuso, 570-8. Differs from another Castellani lauda, ‘Dolor, pianto e penitenza grida in terra Jeremia’, which Cattin believes to be a contrafactum of the ‘Canzona de’ morti’ (c. 1507).

note: incipit similar to ‘Jesù.....ogn’un chiami Jesù’, w/music a2 in Razzi.

note: see ‘Occhi miei’ as cc. Lauda re. vanitas. CattinCC, 212-13, where he speculates that it was common to designate as modo proprio a cc. of identical or similar incipit, in this case a frottola. The original model (and source of music) for Castellani’s lauda may be the anon. barzelletta ‘Occhi mia di lacrymare’ transmitted in BML Antinori 158 (text only), and BL.Eg3051 & M121 (text and music). The incipit in M121 is ‘Ochi ormai di lacrimare’; BlackburnTCS, 150.