M365

note: CattinCC, 212, partial ed. of music with cc. text on 226-7 (BR230). Cc. possibly related to P. Cesena’s frottola ‘A la fè, per la mia fè’ (PetF/v & PetF/1511), or ‘A la fè si a la fè bona’ (PetF/iii, P676, Q18, P27; see CesariLF where the music of PetF/iii is ed. on 131, the text on 46), though the 6-line stanzas & octosyllabic verse of the latter make this the unlikely cc. model. See ‘Oimè, lasso, oimè’ as cc. and modo proprio with settings in Ferr84 & BL.Eg3051 (w/text ‘Occhi miei di lacrimare’]. RA2435, pp. 105-6 transmits an ‘Alla fe, che la tua fe’/sempre mai falsa sarà’ with the form Ba4/7:7/8 (xyyx ababbyy), which is nearly identical to the form of the ‘Oimè lasso’ and related poems.

note: lauda re. Nativity

note: see modo proprio for ‘Riposo alcun’.

note: MaceyFS, 357. 4-voice setting of cc. text in BR230, fols. 72v-73r: ‘Non me parto per lassarte’.

note: Razzi transmits a 3vv setting of his text (ed. Mancuso, no. 37), suitable for singing ‘Caritate amore Dei’ (see MaceyB, 56), but a different 4-part setting of ‘Caritate’ is transmitted in the extant Florentine carnival song sources (ed. GallucciFFM, no.41; cc. text ed. SingletonCC, 280-81), and Razzi adapts this music in a 2-part arrangement for a different lauda linked to ‘Caritate’, ‘Povertà, fatiche, stenti santo’. The music for ‘Spirti sian’ in Rz1563 looks very much like a carnival song setting, but either this is a sacred carnival song or the original secular text has not yet been identified. MaceyB, 56 proposes that there were two distinct musical settings for ‘Caritate amore Dei’. Oddly enough, Razzi transmits yet a different melody for the text of ‘Spriti sian’ in Pal173, fol. 97r.

note: lauda re. St. Cecilia

note: note: Carboni-ZiinoLM, 283, 288; melody ed. 319. CattinCC, 193. Lauda re. St. Catherine of Siena. See also ‘Io son quella villanella’ as cc. for ‘Io son quella pecorella’.

note: Carboni-ZiinoLM, 281. Lauda re. St. Antoninus; text of cc. in Gall2.