M365

note: Music & text of Rz1563 ed. Mancuso, 549-52, though this is in fact derived from the 4-part setting of ‘Tambur, tambur’, with music in differing versions in M121, CortP, & BR337 (see as a cc. title). See BlackburnTCS, 134-8 (M121 version ed. 154--5; CortP ed. 156-7). ‘Tambur’ & ‘Oimè’ both function as a cc. for the lauda ‘E’ ll’ardera, l’abrucera’.

note: lauda re. Sant’Agnese. Essentially same text as ‘Tuoi divoti’, but adjusted ‘per le suore’.

note: CattinR, 18-19 (with excerpts of both texts); CattinNR, 257. Cc = ‘Trionfo de’ Diavoli’. Lauda listed in R196 as modo proprio, but CattinR, 18-19 compares the two texts and identifies the model as a carnival song, the ‘Trionfo de’ diavoli’. Music ed. D’AcconeMFR, ii, no.5, & GallucciFFM, no.18; text ed. SingletonCC, 290. See the Canzona de’ diavoli ‘Già fummo’, as the cc. source for a different lauda.

note: cc. text attributed in Ferr84 to Fra Giovanni di Marco, and in Rz1563 to Fra Angelo Bettini. M365 lauda = ‘Diposo alcun non trova’, and cc = ‘Alcun non trovo’.

note: CattinCC, 205; CattinR, 24; RostirollaB, 691-2. Text & music ed. Mancuso, 358-60 (Rz1563). See ‘Oimè lasso’ as cc. for ‘Cor maligno’, with music in Ferr84 & BL.Eg5041. Rz1563 music for ‘Cor maligno’ differs from that of ‘Oimè lasso’ in Ferr84.

note: CattinCC, 204, where he edits both texts, and speculates that the close poetic compatibility & matching rhyme scheme of lauda and cc. suggest that the music of ‘Se tuo servo’ may be the modo proprio setting of ‘S’io mori’ called for in R196. Music ed. w/both texts in CattinCC, 224-6.

note: Rz1563 transmits the music of ‘Donne per electione’ but the widely-diffused Belcari lauda text ‘S’ i’ pensassi a’ piacer del paradiso’, which suggests that the lauda text in M365 was modeled upon Belcari’s.

note: CattinCC, 206; CattinR, 25. Music & text ed. Mancuso, 648-54. Lines 1,3, & 8 of each stanza are in Latin, from the psalm ‘Plorans ploravit’, each forming a terzina that rhymes aax.