M365

note: lauda re San Tomaso d’Aquino

note: Razzi’s lauda re. San Domenico. In earlier sources, cc. for ‘Cristo ver’ = ‘Da poi ch’io ti lassai’ & ‘Laudate el sommo Dio’ (see latter as a cc. for bibliography). On ‘Cristo ver’, see CummingsP, 143-7 (texts of both ‘Cristo ver’, and its cc. ‘Laudate il sommo dio’ ed. 145, music on 146-7). Music w/Belcari’s text ed. Mancuso, 416-20.

note: Fenlon/HaarIM, 165 (concordant sources). Music ed. SeayJA, vii, no. 17. ‘Ardo...’ in M365.

note: lauda re. Feast of Circumcision. See ‘Ben venga Maggio’ as cc. for a large group of lauda texts. Rz1563 transmits the text of this lauda, and the music underlaid with the text of ‘Ecco’l Messia’; ed. Mancuso, no. 9.

note: this lauda = cc. for two others in LCS161: ‘Si ch’i’ la vo seguire quel alma’, ‘Si ch’i’ la vo seguire et nessun’ altra’, and several others besides. The cantus of Razzi’s version is borrowed, intact, from the 2nd superius of Francesco Layolle’s 5-part ‘Si ch’io la vo seguire nessun’altra offesa’; ed. D’AcconeMFR, iii, no. 19. Text & music ed. Mancuso, no. 75. Cara’s musically independent 4-part setting of the same text (‘Si che la vo’seguire/e niuna alta offesa’) is in PetF/xi, and text and music are ed. in LuisiFr, no. 1; this text is formally identical to the others in the cc. sources, suggesting that these ‘Si ch’i’ la vo seguire’ texts are interrelated.

note: cc. for d’Albizo’s ‘O regina’ = modo proprio, and ‘Signor nostro da Pavia.’ Lauda re. St. Thomas Aquinas.

note: lauda re. St. Peter Martyr.

note: Rz1563 prints ‘I’ mi trovo’ w/music a4 (ed. Mancuso, no. 47), and indicates ‘Jubili’ (and 4 other laude) to be sung to that music. See ‘Io mi trovo’ as cc. ‘I’ mi truovo’ attributed to Bettini in M365, probably correct given that this lauda appears only in later, Dominican sources and in conjunction with laude by other Savonarolan poets.

note: music transmitted in Rz1563 with text ‘Io mi trovo’. Lauda re. purification.