M365

note: Razzi lauda re. Sant’Agnese; cc. re. St. Cecilia. Music & text ed. Mancuso, no. 41. Cc. differs from d’Albizo’s ‘Laudiam con puro core Maria’.

note: text & music ed. Mancuso, 365-7.

note: See OsthoffT, i, 44-9, passim; GallicoRM, 114, 137; Carboni-ZiinoLM, 279; CattinNR, 255, 268. Text attr. to Poliziano in some soureces. Incipit in Florentine sources is ‘Vaghe le montanine’. Text ed. AgenoFS, 159-60. Printed also in 1526/5 as ‘O vage montanine’; this version ed. OsthoffT, ii, 38 (partial), 39 (w/lauda text ‘O vaghe di Jesù’, performed as part of the Rappresentazione di Santa Margherita), & in C. Morin, La frottola e l’armonia verticale nel Quattrocento, «Quadrivium», XV/1 (1974), pp. 158-9 . Ve melody ed. JeppesenF, iii, 103.

note: lauda re. St. John the Baptist

note: ‘Frati venite’ re. Corpus Domini. Rz1563 music & text (‘In nulla’) ed. Mancuso, 749-51. Cantus melody also transmitted in Ferr84 w/text ‘Frati venite’; ed. Carboni-ZiinoLM, 323. Ferr84 w/cc = Belcari’s ‘Jesù sommo diletto e vero lume’). ‘In nulla’ attr. to Fr. Giovanni da San Piero dell’ordine di san francescho’ in CS1544. Without attr. or cc. in Gall2. See ‘In nulla’ as a lauda w/several secular cc. titles that may represent the original text (e.g. ‘Leggiadra damigella’).

note: Music of cc. ed. in SlimG, ii, no. 4; text ed. p. 441. There are later settings of this text by J. Gero (1543), V. Ruffo (1553), and A. Molino (1568). The poetic forms of lauda and cc. model are compatible if the three pairs of 7-syllable lines in Machiavelli’s poem are resolved into single endecasyllabic phrases.