Cantasi come

RU1411

Pour prison, ne pour maladie-e R5:8 (aabba)

Poet:

Alain Chartier?

Language:

fr

Composer:

Binchois

Lauda:

Vanne mio core al Signor mio-a
5:8 (aabca)

Lauda Poet:

Feo Belcari

Notes:

note: CattinR, no.66; CattinCI, 421-2. Alternate cc. = ‘Vaten mon quer’ [‘Va t’en, mon coeur’].

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Pour prison, ne pour maladie-d R5:8 (aabba)

Poet:

Alain Chartier?

Language:

fr

Composer:

Binchois

Lauda:

Signor Jesù tu sia lo ben venuto-a
5:11 (ababa)

Lauda Poet:

Feo Belcari

Notes:

note: alternate cc. = ‘Signor leon’ [‘Seigneur Leon’]

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Pour prison, ne pour maladie-c R5:8 (aabba)

Poet:

Alain Chartier?

Language:

fr

Composer:

Binchois

Lauda:

Per buon sentier e retta via
5:9/11? (abbaa)

Lauda Poet:

Francesco d’Albizo

Notes:

note: CattinCI, 422. LA424--’cantasi come por prisoner, mandata a Ser Firenze, prete’.

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Pour prison, ne pour maladie-b R5:8 (aabba)

Poet:

Alain Chartier?

Language:

fr

Composer:

Binchois

Lauda:

E’ servi tuoi Maria vengono a te-b 5:11 (ababa)

Lauda Poet:

Belcari

Notes:

note: alternate cc. = ‘Le serviteur hault guerdonné’.

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Pour prison, ne pour maladie-a R5:8 (aabba)

Poet:

Alain Chartier?

Language:

fr

Composer:

Binchois

Lauda:

Ben venga Jesù l’amor mio-b
5:9 (ababa)

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 321-2; CattinR, 30; PlamenacR, 70-1; CattinCI, 421-2. Alternate version of cc. = ‘Pover preson’; alternate cc = ‘Ben vengiant matres’ (‘Bien vegnant ma très redoutée’). Music ed. HanenE, no.32 & RehmB, no.35 (EscB); SchavranP, ii, 52 (Pav362). Quoted by Ockeghem in his ‘La despourveue et la bannye’ (M176 & Pix), and D with new T in SevP with text ‘Passio domini’ (from St. Matthew passion), ed. PlamenacQ, 169.

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O rosa bella o dolce anima mia-b BaMn:11 (xx ababbx)

Poet:

Leonardo Giustinian

Language:

it

Composer:

Johannes Ciconia

Lauda:

O sacra stella vergine, umile, e pia BaMn:11 (xx ababbx)

Notes:

note: FallowsCat, 545-50. Music ed. PMFC24, no.34 (PC); DTO15, 227 & ClercxC, ii, no.15. FallowsLG, 251-4 argues persuasively for Giustinian’s authorship of ‘O rosa bella’, which must have been set by Ciconia prior to the latter’s death in 1412. Though the Ch266 cc. incipit could refer to the Bedyngham [?] setting, the inclusion in Ch266 of his ‘Con lagrime bagnandome’ and ‘Dolce fortuna’ as cc. titles, suggests that Ciconia’s ‘O rosa’ is the intended model. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35; see CilibertiP, 23-34, and NàdasCR.

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