Ven

note: on extant musical settings of the lauda text, see CattinCon, 57 (Ven, based on the ‘Verbum car factum est’ melody, which confirms the cc. link in Triv535). According to CattinCon, 73, the lauda text dates from the era of the Bianchi (c. 1400).

note: ‘texoro’ in Triv535.

note: CattinR, 43, n.70 . There is a monodic setting of ‘Anima benedetta’ in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-7. Of the two laude in the Galletti prints with the incipit ‘O vergine Maria’, the ‘O vergine Maria/chiunche ti vuole amare’ in Gall4 matches the BaG:7 form of ‘Anima benedetta’.

note: CattinR, 43, n.70 and (re. the cc.), 33, n.40; RostirollaB, 680 (re. ‘Anima benedetta’). There is a monodic setting of the lauda in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & a 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-7, with text ed. i, 259-10. Gall3 = ‘Donna esto mio lamento, vinitiana’. The lauda also enjoyed an extended life in early 17thc. lauda prints (Nap1608); see LuisiLG,ii,147-9. In 1589/2, ‘Anima benedetta’ sung to a3 setting of ‘Jesù nostro riscatto’. Cc. text ed. Wiese, 159 (‘Donna, sto mio lamento/piazzate aldire in pace’). Other variants: ‘Donna sti mie’ lamenti’, ‘Donna questi mie’ lamenti’ (see D’AnconaPP, 481). RA2435, pp.102-5 transmits a ‘Donna questi lamenti/piacciati udire in pace’ with the unusual form Ba3+3/7 (xyZ xyZ abababZ). Lauda text entered in R2929, which was copied by 1448.

note: Music for the similar a2 settings of ‘O dolce amor’ ed. in EynardLP, 76-7 (B207), and Diederichs (diplomatic transcr. of Ven, 401-3). Razzi transmits a vaguely related musical setting; ed. Mancuso, 733-8. Rz1563 & Ven versions ed. LuisiLG, ii, 83-5; text ed. i, 258-9. Cc. indication in Rs424 intended, but not entered. Lauda text entered in R2929, which was copied by 1448.

note: CattinR,33.

note: full attr. for lauda: ser Antonio di Mariano Muzi, notaio (Gall2)

note: variant incipits: ’L’amor ad me/a mi’. Concerning the cc., see GhisiUL, WilsonMM, 170-71, Diederichs, 212ff. Music ed. LuisiLG, ii, 54-7 (all extant settings); Diederichs, 393-5 (Ven,Pav361,PetL/i); WilsonMM,269-70 (Ven,Pav361,Rz1563); CattinPav, 10 (Pav361) and Mancuso, no. 24 (Rz1563). Text of ‘L’amor’ ed. LuisiLG, i, 291. See also ‘L’amor’ as lauda w/cc. = ‘Donna sti’ mie’ lamenti, identified in Gall3 as a ‘vinitiana’; this suggests that the modo proprio music associated with ‘L’amor’ may have something to do with the ‘aere vinitiano’. Cc. text entered in R2929, which was copied by 1448.

note: see Bedyngham’s ‘Gentil madonna’ is alternate cc. for ‘Vergine bella’ (M690,Gall1). Lauda re. Santa Margherita.