note: alternate cc. = ‘Alma che si gentile/ti fe’

note: possibly same cc. as ‘lamento di Jeremia propheta’, though separate Latin & vernacular versions may have existed. Grey transmits a rather contrapuntal a3 setting of the ‘oration Hieremie prophete’ (ed. CattinG, no.38), which resembles an anon. lamentation in Petrucci’s 1st book of Lamentations (Venice, 1506); it is more likely that the cc. refers to an intonation formula used in Florence, than that Petrucci’s lamentation prints preserve some version of the music once sung in Florence for penitential and lenten lauda texts. The widely disseminated lauda text was entered into the Florentine laudario Florence, BNF, Banco rari 19 (no. 103) sometime after the Company of San Gilio compiled the ms. in the 1370s. Rubric in LA1072 reads, ‘Ista lamentio cantata in tono lamentationis ieremie profete.’

note: cc. & lauda attr. to d’Albizo in CS1544 & Gall2 (no cc.)

note: rubric in R2224 reads, ‘cantasi a modo di quella ballata che Amor quando nella mia mente/miro el dolce tempo/ella stagion fuggita dico ec..’

note: rubric in R2224 reads, ‘cantasi al modo di quella che dice fammi per grazia del tuo piacer degno/cosi dallunge per veder vivegno’.

note: rubric in R2224 reads, ‘cantasi a modo di quello che dice ‘Se dio o ragione de nomi far torto/uccidimi costei che mi vuol morto’. Lauda text entered in R2929, which was copied by 1448.