Gall1

note: lauda re. St. Bernard, so probably differs from the ‘Cantiam con dolce canto e voce piena’ sung in the Rappresentazione di un miracolo di S. Maria Maddalena; BecheriniSR, 204-5.

note: lauda text entered into Ch266 without cc.

note: alternate cc. or ‘Dolce Maria’ = ‘Leggiadra diva, e mi convien perire’ (Rs424). Lauda reads ‘O dolce Maria’ in Rs424.

note: Belcari closely modeled his lauda on ‘Ben lo sa Dio’, employing identical rhyme scheme and words.

note: VB3711 bears no cc., but the rubric ‘fece Feo Belchari et madolla ad papa Pagolo Sicondo [1464-71]’; two surviving letters by Belcari dated Sept. 9, 1467 and July 1 1468 record his efforts to send his lauda ‘de’ fructi della carità’ (the rubric for ‘Chi se veste’) to this pope through his longtime friend Piero dell’Orto, the bishop of Massa Marittima; see FigliouoloT, 269-70. On the cc., see FallowsCat, 504-5; GallicoRM, 54; CattinNR, 274; ZiinoNF, 237-9 (fragment). Music ed. Kottick, CMM42 & ThibaultM, 4 (Cord); CattinG, no.22 with text ‘Cum desiderio io vo cercando’ (Grey); LuisiLG, ii, 32 & Diederichs, 302 (Panc27, also w/text ‘Cum desiderio’). Grey & Panc27 versions (w/lauda texts) based on D & T of Cord. Older version a2 in AT A.5, which presumably forms the basis of the Cord version. On AT A.5, see ZiinoNF (facsimile pl. 3, partial transcription 245). 1513/1 melody (a citation within the context of a barzelletta, ‘Se mia trista e dura sorte’, set to music by Niccolò Brocco) ed. JeppesenF, iii, 53, and compared to the Cord melody in ThibaultM, lxxvi. Different cc. in Gall1 (‘O lasso me’) & M690 (‘Si fortemente son tracto’).

note: ottave. Variant cc.: ‘la passione’; alternate cc. for ‘Aprite lo ‘intelletto’ = ‘stanze d’Abram’