Gall1

note: lauda re. San Vincentio di Valentia (OP)

note: ‘Se vo scaviés matre’ and Dufay’s ‘Donna gentil’ are alternate cc’s for ‘Se vuo’ gustare’.

note: On the musical settings of the cc., see ‘Madre che festi-a’. Independent musical settings of Belcari’s text are transmitted in Rz1563 (a2) and PetL/i (a4), ed. LuisiLG, ii, 180-4 (Rz1563 & PetL/i); JeppesenL, no.57 (PetL/i); MaceyS, 87-9 (Rz1563; refrain & 1st stanza of text ed. & translated lv); and Mancuso, no. 20 (Rz1563).

note: rubric for ‘Beata sono’ same in all but Rs424: ‘beata Villan[a] di Firenze che è sepulta in Sancta Maria Novella’.

note: text ed. Wiese, 21.

note: CattinR, 34, where the lauda incipit is ‘Signor della salute mia’

note: cc. poem copied in autograph ms. of Florentine cantarino Filippo Scarlatti, LAD759, f.262. PetF/vi transmits settings of ‘Moro di doglia’ (no. 3) and ‘Aimè ch’a torto’ (no. 4), both of which are interior strophes of ‘I’ vedo ben’ (see CattinNR, 284). Music ed. LuisiLG, ii, 254-5 with text of ‘I’ vedo ben’ and Belcari’s ‘Piangi e sospira’ (for which ‘I’ vedo’ is also a cc.). Settings of ‘Aimè ch’a torto’ and ‘Moro di doglia’ ed. and discussed in RubsamenJ and, more recently, HaarPJ. Giustinian text ed. Wiese, 287f.

notes: FallowsCat, 537; CarboniE, 444; CattinR, 24; CattinNR, 228; GhisiStr, 56-60; HaarCM, 51-2. Music ed. LuisiLG, ii, 236-9 (with both texts; BU,MC); HanenE, no. 73 (EscB); PMFC11 , 92-5 (BU,MC); PopeM, no. 89 (MC; text ed. and transl. on 617); HaarCM,172-4 (BU); GhisiStr, 58-9 (excerpts from BU,MC). Further information on the cc. sources in part II of Gallo’s facsimile ed. of BU2216 (Bologna, 1970).