Ferr84

note: lauda ‘della morte’

note: In Ferr84 cc. for ‘Occhi miei’ is = Castellani’s ‘Oimè, lasso, oimè, oimè’ (w/same melody for both). JeppesenF, ii; Carboni/ZiinoLM, 279; melody ed. 318.

note: lauda to San Romoaldo

note: RostirollaB, 712; Carboni-ZiinoLM, 279. Music ed. Mancuso, no. 47 (Rz1563); RostirollaTL, 28 (which differs from the setting in Rz1563); RC395 (tenor only, which matches tenor of Rz1563). Cc. in M365 attr. to A. Bettini. ‘Chi veder’ = lauda to San Francesco. Ferr84 melody is a version of Razzi’s melody; both ed. in Carboni-ZiinoLM, 329. 1589/2 transmits a3 setting identical to Anim1577, except with shortened candential melismas for the first stanza, and (as in Rz1563) a musically independent ‘seconda parte’ for the 2nd stanza. See ‘Io mi trovo’ as modo proprio.

note: Rz1563 provides music for ‘I’ mi truovo’, then indicates 5 laude that may be sung to this music: ‘Non si puo imaginar’, ‘Jubili tutto’l mondo al suo signor’ (Bettini), ‘Jubili tutto’l mondo al nascimento’ (Fabbroni), ‘Chi veder brama’, & ‘Ecco’l gran padre’. M365 lists ‘Jubili tutto’l mondo al suo Signore’ with no stated cc. (i.e. as modo proprio in this case), followed by 4 laude (all by Bettini) to be sung ‘come quella di sopra’: ‘Riscalda il verde prato’,’Ecco’l dominator’, ‘Venitene fratelli’, & ‘I’ mi truovo Jesù’. Presumably the music in Rz1563 that serves the texts of both ‘Io mi trovo’ and ‘Jubili tutto’l mondo...signore’ is in fact the music intended for these other texts in M365.

note: see ‘Occhi miei’ as cc. Lauda re. vanitas. CattinCC, 212-13, where he speculates that it was common to designate as modo proprio a cc. of identical or similar incipit, in this case a frottola. The original model (and source of music) for Castellani’s lauda may be the anon. barzelletta ‘Occhi mia di lacrymare’ transmitted in BML Antinori 158 (text only), and BL.Eg3051 & M121 (text and music). The incipit in M121 is ‘Ochi ormai di lacrimare’; BlackburnTCS, 150.

note: Carnival song (mascherata), ‘Canto di pastori, bacchiatori di bassette’. Music ed. D’AcconeMFR, ii, 23-5; & GallucciFFM, no.27. Text ed. SingletonCC,318-19. Music also transmitted in Rz1563, with Belcari’s lauda text, ‘S’i’ pensassi a’ piacer del paradiso’; ed. Mancuso, 427-35.

note: ‘Frati venite’ re. Corpus Domini. Rz1563 music & text (‘In nulla’) ed. Mancuso, 749-51. Cantus melody also transmitted in Ferr84 w/text ‘Frati venite’; ed. Carboni-ZiinoLM, 323. Ferr84 w/cc = Belcari’s ‘Jesù sommo diletto e vero lume’). ‘In nulla’ attr. to Fr. Giovanni da San Piero dell’ordine di san francescho’ in CS1544. Without attr. or cc. in Gall2. See ‘In nulla’ as a lauda w/several secular cc. titles that may represent the original text (e.g. ‘Leggiadra damigella’).