Ferr84

note: D’AnconaPP, 480; text & music of cc. ed. in E. Levi, Lirica italiana antica, Firenze, Olschki 1905, 67. Cantus from Ferr84 & Rz1563 ed. Carboni-ZiinoLM, 325-6; Rz1563 setting ed. Mancuso, 311-19. ‘Dimmi’ in Gall2 w/out cc. Lauda re. beata Agnesa da Montepulciano.

note: Carboni-ZiinoLM, 281. Music in Ferr84 w/text of ‘Benedetto’ (ed. Carboni-ZiinoLM, 319), and in Rz1563 w/text of ‘O maligno’ (ed. MaceyS, 6-8; Mancuso, 470-77. See ‘Siam galanti’ as alternate cc. for ‘O maligno’. Lorenzo’s lauda is ed. in ToscaniL, 88-9 (on 48 he suggests that it was composed for Good Friday of 1491), and in DucciniL, 180-3, with extensive commentary.

note: Carboni-ZiinoLM, 283. Alternate cc. = ‘S’i’ pensassi a’ piacer del paradiso’ (cancelled in Ferr84, but preserved in R196) transmitted in Rz1563 w/the music of Baccio’s ‘Donne per electione’, both of which are given as cc. for ‘Madre del redemptor’ in R196, but Rz1563 transmits a different 4-part setting of ‘I’ mi truovo’. ‘I’ mi truovo’ a cc. for at least 6 different laude.

note: Carboni-ZiinoLM, 282. Cc. cancelled in Ferr84; alternate cc = ‘Benedetta sia quell’ora’. In M365, cc for ‘Cominciamo’ = ‘Occhi miei de lagrimare’ (a4 in BL.Eg3051).

note: CattinCC, 205, 212; RostirollaB, 731-2; Carboni-ZiinoLM, 279, 289, 302, with melody ed. twice at 318, for both ‘Oimè lasso’ and ‘Occhi miei di lacrimare’ (w/music a4 in BM.Eg3051). Different music for ‘Oimè lasso’ ed. in CattinCC, 226-7, with link to secular cc. (frottola) ‘A la fe’ che la tua fe’ (M365, RC395, Ferr84; music in BR230). Cc. indication cancelled in Ferr84. See ‘Oimè, lasso’ as a lauda with several cc. models, as well.

note: Rz1563 music for ‘Cor maligno’ differs from that of ‘Oimè lasso’ in Ferr84.

note: See ‘Occhi miei’ as modo proprio and as cc. CattinCC, 212-13. Variant incipit: ‘Occhi mia, de lacrimare’.

note: Carboni-ZiinoLM, 282, melody edited 319. Alternate cc. (cancelled in Ferr84) is ‘Oimè, lasso, oimè, oimè’ (linked also to ‘Occhi miei di lagrimare’), w/different musical settings. In Ferr84,‘Benedetto sia quell’ora’ is cc. for Lorenzo’s ‘O maligno e duro core’ (cf. ‘Siam galanti di Valenza’) & ‘Cominciamo Cristo a laudare’; ‘Occhi miei di lagrimare’ (w/music in Ferr84 & BL.Eg3051) is cc. for ‘Benedetto sia quell’ora’. See Giustinian’s ‘Benedetto ne sia lo giorno’ (& its extant musical settings) as cc. for ‘Benedetto sia quell’ora’. The ‘Benedetta sia l’ora’ in Gall3, 165 (without cc.) is probably a different lauda, given its 7-syllable lines; the extant laude to which ‘Benedetta sia quell’ora’ is linked are all octosyllabic (like the ‘Benedetta sia quell’hore/che noi fummo illuminati’ in M365). All of these incipits, along with Poliziano’s canzona a ballo ‘Benedetto sie ‘l giorno, l’ora e ‘l punto’, are ultimately indebted to Petrarch’s sonnet, ‘Benedetto sia ‘l giorno e ‘l mese et l’anno/e la stagione e ‘l tempo et l’ora e ‘l punto’.

note: lauda re. St. John evangelist