Ferr84

note: RostirollaB, 712; Carboni-ZiinoLM, 279. Music ed. Mancuso, no. 47 (Rz1563); RostirollaTL, 28 (which differs from the setting in Rz1563); RC395 (tenor only, which matches tenor of Rz1563). Cc. text attr. to A. Bettini in M365. Ferr84 melody is a version of Razzi’s melody; both ed. in Carboni-ZiinoLM, 329. 1589/2 transmits a3 setting identical to Anim1577, except with shortened cadential melismas for the first stanza, and (as in Rz1563) a musically independent ‘seconda parte’ for the 2nd stanza. See ‘Io mi trovo’ as modo proprio. The Roman sources transmit and set to music only the refrain text of ‘Io mi trovo’, which in this condition is used as a formally compatible singing model for laude with the form of CapQ (AbbA...).

note: RostirollaB, 724; D’AnconaPP, 57--8 (re. lauda text). Music (Rz1563) ed. in MaceyS, 42-4 with texts of ‘Non fu mai...dolce amor’, Benivieni’s ‘Non fu mai el più bel solazzo’, & ‘Franza, Franza’. See MaceyS,225, where he proposes the cc. link based on an interrated chain of cc. links involving the above laude & carnival song. Benivieni’s lauda is also the poetic model for ‘Non fu mai più bel convito/lieto dolce, e dilettoso’ in M365, which suggests a musical link for this anonymous lauda.

note: MaceyB, 82. Music of ‘O Maria’ à4 in Rz1563 (music ed. Mancuso, 395-7; MaceyS, 40), and there is a different 2-part setting in BerAT30 (ed. Jaenecke); both versions are ed. in LuisiLG, ii, 94-5, with text ed. i, 259. Varied cantus in Ferr84, ed. in Carboni-ZiinoLM, 327. Text attr. variously to Clemente Pandolfini, Leonardo Giustinian, & Francesco Schambrilli. Razzi describes music as ‘laude antichissima’. MaceyS, 224-5 proposes ‘O Maria Diana’ as a cc. for the compatible ‘Voi toccate la chiavetta’.

note: RostirollaB, 713 (‘Io ti lascio’). Lauda ‘fatta per una fanciulla che va alla Religione’. See ‘Io ti lascio’ as cc. for musical settings of this text.
The musical settings of ‘O Maria’ and ‘Io ti lasso’ appear to be unrelated. The lauda text appears in Anim77 set to the same 3-part music as that used in this same source for Belcari’s ‘Giù per la mala via’.

note: Carboni-ZiinoLM, 284, text ed. 312-13 (w/rubric: ‘De Fra Thommaso da Napoli nel 1559’); melody of ‘O Maria’ ed. 327.

note: Carboni-ZiinoLM, 283, w/text ed. 306-7, melody ed. 320. Rubric with text: ‘Fr. Thomas de Neapoli dictabat anno 1557’.

note: Carboni-ZiinoLM, 283; ‘Quel glorioso’ ed. 305-6. Lauda & cc. are reversed in Ricc1413.

note: Carboni-ZiinoLM, 283, 288; melody ed. 319. CattinCC, 193. Melody probably belongs originally to the secular cc. for Castellani’s lauda, ‘Io son quella villanella’.

note: Carboni-ZiinoLM, 282; melody ed. 319.