CS1545

note: lauda incipit suggests Belcari’s popular ‘Giu per la mala via’ as immediate model, with musical settings in Panc27 (a4) & Anim1577 (a3), the latter ed. RostirollaTL, 46.

note: RostirollaB, 705; CattinR,34; CattinS,269-70. Alternate cc. = ‘La madre tornò dal santo’ (Gall2,R196). Lauda copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL,46 (+facs). See ‘Giù per la villa lunga’ as cc. for ‘Giù per la mala villa’.

note: ‘Latin lauda’, planctus Mariae; processional music for deposition during Holy Week. See PerkinsMAR, 452-6; MaceyB, 53; CattinR, 39, n.59.; CattinNF, 192-3; PopeM, 646-9; Diederichs, 230-7; CattinCI, 432-3. Musical variant in Razzi: ‘Cum autem venissent’, where he indicates that ‘le parole insieme col canto, sono antichissime’. Music of related versions based on same melody ed. PerkinsMAR, 453-6 (Razzi facs., Quadris, PetL/ii); CattinPav, 14 (Pav361); PopeM, no.120 (MC); JeppesenL, 8-9 (PetL/ii, ‘Quum autem’), Diederichs, 412-22 (Panc27, Grey, MC, PetL/ii), Mancuso, 620-4 (Rz1563). Quadris version (ca. mid-15thc.) publ. in Petrucci Lamentationum Jeremiae prophete liber primus (1506), ed. Cattin in Johannes de Quadris, Opere (Bologna, 1972), 71. In Grey, cc. is explicit by addition of lauda incipit ‘Peccator, pensa al tuo signore’, a link that is in turn confirmed by all the Florentine cc. sources; see CattinNF, 192-3. For complete list of musical sources, see PopeM, 646-7, & CattinNF, 192-3. In LA424, lauda sent to ‘Pierino vinitiano’.

note: Cc. added to ms. in later hand, dated 1569, though composition clearly predates this. Lincoln, 744 (frottola); 4-part setting in PetF/iii ed. CesariLF, 127 (text on p. 46 of appendix).

note: FallowsCat, 501; PopeM, 657-8; CattinR, no.104 (where he suggests an origin of cc. as a carnival song for locksmiths). Music ed. PopeM, 503 (‘Chiave, chiave’--incipit only). Gall2 & CS1545 textual incipits = ‘Alle schiave, alle schiavone’.

note: FallowsCat, 488-9; CattinR, 37; CattinCI, 423. Music ed. LenaertsN, 2-3 (musical supplement). Cc. listed in index of R2356, but folio with this music is missing from the ms.

note: in M119 cc. incipit is ‘Sempre aro nel chor .’

note: FallowsCat, 538-9; CattinR, 36; PopeM, 579-80. Music ed. GerberC, 43, 63 (EscB,Cord), Hanen, no.81 (EscB), CMM42, nos. 5,7 (Cord), ThibaultM, 18 (Cord), PopeM, 185 (MC). Text ed. PirrottaA, 149 (EscB). Cord = version A, EscB/MC = version B. For musically related piece, see Binchois’ ‘Mort en merchy’ (FallowsCat, 288; ed. KayeB, no.26 & RehmB, no. 32). Pirrotta describes the form of Cornago’s text as a ‘piccola canzone’; the sequence of 11 & 7 syllable lines in the first 7 lines of both cc. and lauda are identical.

note: see ‘O crocifisso’ as cc. source

note: CattinCC, 214-15; RostirollaB, 704. Alternate cc. = ‘Io ti lascio stolto mondo’ (also in Anim1577, along w/music for ‘Giovanetti’, w/facs. for both pieces in RostirollaTL, 31).